In LA, you can’t do anything unless you drive. Now I can’t do anything unless I drink. And the drink-drive combination, it really isn’t possible out there. If you so much as loosen your seatbelt or drop your ash or pick your nose, then it’s an Alcatraz autopsy with the questions asked later. Any indiscipline, you feel, any variation, and there’s a bullhorn, a set of scope sights, and a coptered pig drawing a bead on your rug.
So what can a poor boy do? You come out of the hotel, the Vraimont. Over boiling Watts the downtown skyline carries a smear of God’s green snot. You walk left, you walk right, you are a bank rat on a busy river. This restaurant serves no drink, this one serves no meat, this one serves no heterosexuals. You can get your chimp shampooed, you can get your dick tattooed, twenty-four hour, but can you get lunch? And should you see a sign on the far side of the street flashing BEEF-BOOZE – NO STRINGS, then you can forget it. The only way to get across the road is to be born there. All the ped-xing signs say DON’T WALK, all of them, all the time. That is the message, the content of Los Angeles: don’t walk. Stay inside. Don’t walk. Drive. Don’t walk. Run!
What did Nabokov and Joyce have in common, apart from the poor teeth and the great prose? Exile, and decades of near pauperism. A compulsive tendency to overtip. An uxoriousness that their wives deservedly inspired. More than that, they both lived their lives 'beautifully'--not in any Jamesian sense (where, besides, ferocious solvency would have been a prerequisite), but in the droll fortitude of their perseverance. They got the work done, with style.
Martin AmisThis had seemed a safe choice, since to be against the Beatles (late-middle period) is to be against life.
Martin AmisNuclear weapons could bring about the Book of Revelation in a matter of hours; they could do it today. Of course, no dead will rise; nothing will be revealed (nothing meaning two things, the absence of everything and a thing called nothing). Events that we call "acts of God"--floods, earthquakes, eruptions--are flesh wounds compared to the human act of nuclear war: a million Hiroshimas. Like God, nuclear weapons are free creations of the human mind. Unlike God, nuclear weapons are real. And they are here.
Martin AmisA writer’s life is half ambition and half anxiety, and there has to be both. It is no good writing a novel and feeling fine, and it is no good writing a whole novel feeling miserable. It has to be both, that mixture of anxiety and ambition, and you get that with every novel, but more so when you write about these epics of human suffering. I felt that just as much when I wrote about the Gulag. Every writer knows what that is. The process goes… you have to think: ‘This novel I am writing is no good.’ Then you have to think: ‘All my novels are no good.’ And then, when you reach that point, you can begin.
Martin AmisTags: writing-life writing-process
It takes three or four years before the present day sinks in to you as a novelist. It has not just to be accepted in the mind but travel down your spine and fill your body and you can’t respond immediately to immediate events, there is this incubation period.
Source: http://www.euronews.com/2013/06/25/ma...
Tags: writing fiction novels writing-life fiction-writing writing-process
He frowned. She laughed. He brightened. She pouted. He grinned. She flinched. Come on: we don’t do that. Except when we’re pretending. Only babies frown and flinch. The rest of us just fake with our fake faces.
He grinned. No He didn’t. If a guy grins at you for real these days, you’d better chop his head off before he chops off yours. Soon the sneeze and the yawn will be mostly for show. Even the twitch.
She laughed. No she didn’t. We laugh about twice a year. Most of us have lost our laughs and now make do with false ones.
He smiled.
Not quite true.
All that no good to think, no good to say, no good to write. All that no good to write.
Tags: writing expressions
This is the way that it goes. In your mid forties you have your first crisis of mortality (death will not ignore me); and ten years later you have your first crisis of age (my body whispers that death is already intrigued by me). But something very interesting happens to you in between.
As the fiftieth birthday approaches, you get that sense that your life is thinning out, and will continue to thin out, until it thins out into nothing. And you sometimes say to yourself; That went a bit quick. That went a bit quick. In certain moods you may want to put it a bit more forcefully. As in: OY!! That went a BIT FUCKING QUICK!!!.... Then fifty comes and goes, and fifty-one, and fifty-two. And life thickens out again. Because there is now an enormous and unsuspected presence within your being, like an undiscovered continent. This is the past.
Tags: the-pregnant-widow
Give the reader hell. Stretch the reader.
Martin AmisMaybe love will be like driving. When people move—when they travel—they look where they’ve come from, not where they’re going.
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