«Je m’appelle Paloma, j’ai douze ans, j’habite au 7 rue de Grenelle dans un appartement de riches. Mais malgré toute cette chance et toute cette richesse, depuis très longtemps, je sais que la destination finale, c’est le bocal à poissons; la vacuité et l’ineptie de l’existence. Comment est-ce que je le sais ? Il se trouve que je suis très intelligente. Exceptionnellement intelligente, même. Même si on compare avec les adultes, je suis beaucoup plus maligne que la plupart d’entre eux. C’est comme ça. Je n’en suis pas spécialement fière parce que je n’y suis pour rien. Mais ce qui est certain, c’est que dans le bocal, je n’irais pas. C’est une décision bien réfléchie. Même pour une personne aussi intelligente que moi, aussi douée pour les études, aussi différente des autres et aussi supérieure à la plupart, la vie est déjà toute tracée et c’est triste à pleurer : personne ne semble avoir songé au fait que si l’existence est absurde, y réussir brillamment n’a pas plus de valeur qu’y échouer. C’est seulement plus confortable. Et encore : je crois que la lucidité rend le succès amer alors que la médiocrité espère toujours quelque chose.»
Muriel BarberyTags: novel
The first time he consulted me, I caught a glimpse of my salvation. He made a gift to me of the very thing that I - too corrupted by my bourgeoise blood to renounce it- could not be, merely by tacitly agreeing to be my client, simply by frequenting my waiting room on a regular basis, with his ordinary docile manner of a patient who makes no fuss. Later he gave me another gift, magnanimously, that of his conversation. Worlds hitherto unknown to me suddenly appeared, and the very thing that my flame had always coveted so ardently, and had despaired of ever obtaining, was suddenly mine, thanks to him, vicariously.
Muriel BarberyWords: repositories for singular realities which they then transform into moments in an anthology, magicians that change the face of reality by adorning it with the right to become memorable, to be placed in a library of memories. Life exists only by virtue of the osmosis of words and facts, where the former encase the latter in ceremonial dress. Thus, the words of my chance acquaintances, crowning the meal with an unprecedented grace, had almost formed the substance of my feast in spite of myself, and what I had enjoyed so merrily was the verb, not the meat.
Muriel BarberyA flavor...what do you think, old madman, what do you think? That if you find a lost flavor you will eradicate decades of misunderstanding and find yourself confronted with a truth that might redeem the aridity of your heart of stone? And yet he had in his possession all the arms that make for the best duelist: a fine way with his pen, nerve, panache. His prose...his prose was nectar, ambrosia, a hymn to language: it was gut-wrenching, and it hardly mattered whether he was talking about food or something else, it would be a mistake to think that the topic mattered: it was the way he phrased it that was so brilliant.
Muriel Barbery...the vulgarity of an environment as bleakly desolate as the neon lights of the factory where the men go each morning, like sinners returning to hell...
Muriel BarberyIt really takes an effort to appear stupider than you are.
Muriel BarberyI don't give a damn about where I happen to be, provided nothing stops me from going into my mind.
Muriel BarberyPersonally I think that grammar is a way to attain Beauty. When you speak, or read, or write, you can tell if you’ve said or read or written a fine sentence. You can recognize a well-turned phrase or an elegant style. But when you are applying the rules of grammar skillfully, you ascend to another level of the beauty of language. When you use grammar you peel back the layers, to see how it is all put together, see it quite naked, in a way. And that’s where it becomes wonderful, because you say to yourself, 'Look how well made this is, how well constructed it is!' 'How solid and ingenious, rich and subtle!' I get completely carried away just knowing there are words of all different natures, and that you have to know them in order to be able to infer their potential usage and compatibility. I find there is nothing more beautiful, for example, than the very basic components of language, nouns and verbs. When you've grasped this, you've grasped the core of any statement. It's magnificent, don't you think? Nouns, verbs...
Muriel BarberyDesire! It carries us and crucifies us, delivers us every new day to a battlefield where, on the eve, the battle was lost; but in sunlight does it not look like a territory ripe for conquest, a place where - even though tomorrow we will die - we can build empires doomed to fade to dust, as if the knowledge we have of their imminent fall had absolutely no effect on our eagerness to build them now? We are filled with the energy of constantly wanting that which we cannot have, we are abandoned at dawn on a field littered with corpses, we are transported until our death by projects that are no sooner completed than they must be renewed. Yet how exhausting it is to be constantly desiring...
Muriel BarberyIf you change the way you crunch into something, it is like trying something new.
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