The more I write stories for young people, and the more young readers I meet, the more I'm struck by how much kids long to see themselves in stories. To see their identities and perspectives—their avatars—on the page. Not as issues to be addressed or as icons for social commentary, but simply as people who get to do cool things in amazing worlds. Yes, all the “issue” books are great and have a place in literature, but it's a different and wildly joyous gift to find yourself on the pages of an entertainment, experiencing the thrills and chills of a world more adventurous than our own.
And when you see that as a writer, you quickly realize that you don't want to be the jerk who says to a young reader, “Sorry, kid. You don't get to exist in story; you're too different.” You don't want to be part of our present dystopia that tells kids that if they just stopped being who they are they could have a story written about them, too. That's the role of the bad guy in the dystopian stories, right? Given a choice, I'd rather be the storyteller who says every kid can have a chance to star.
Tags: writing dystopia teens lgbtq minorities ya representation
I never turned children to war," Tool said.
"Only because you fought on the side of wealth,
Tags: the-drowned-cities
Mahlia… understood Doctor Mahfouz and his blind rush into the village. He wasn’t trying to change them. He wasn’t trying to save anyone. He was just trying to not be part of the sickness. Mahlia had thought he was stupid for walking straight into death, but now, as she lay against the pillar, she saw it differently. She thought she’d been surviving. She thought that she’d been fighting for herself. But all she’d done was create more killing, and in the end it had all led to this moment, where they bargained with a demon … not for their lives, but for their souls” (p. 403)
Paolo BacigalupiTags: war drowned-cities
Death is not defeat, Tool told himself. We all die. Every one of us. Rip and Blade and Fear and all the rest. We all die. So what if you are the last? You were designed to be destroyed.
Paolo BacigalupiShe’d survived the Drowned Cities because she wasn’t anything like Mouse. When the bullets started flying and warlords started making examples of peacekeeper collaborators, Mahlia had kept her head down, instead of standing up like Mouse. She’d looked out for herself, first. And because of that, she’d survived.
Paolo BacigalupiTags: self-preservation
Mouse took an idle whack at some kudzu as he passed, but his face was serious. “Hell, I don’t know. Why do you care? That was right after our farm burned. They got everyone. Mom and Dad. Simon. Shane got recruited. I saw that. They shot Simon because he was too little, but they took Shane.” He knocked aside more kudzu. “Maybe I was hoping they’d just shoot me and get it over with. I was so sick of hiding and scavenging. I think I wanted the bullet.
Paolo BacigalupiYou cannot bargain with me. My heart is the clock. Find medicine before it ticks dry, and buy your friend’s life. Fail and his corpse is all you will find here.
Paolo BacigalupiThe horrors of the swamps loomed, wild and hungry. Kudzu vines became coiling pythons, dropping from above. Coywolv flitted from tree to tree, pacing her. The jungle had teeth, and suddenly it had become alien and feral.
Paolo BacigalupiPain held no terror for him. Pain was, if not friend, then family, something he had grown up with in his crèche, learning to respect but never yield to. Pain was simply a message, telling him which limbs he could still use to slaughter his enemies, how far he could still run, and what his chances were in the next battle.
Paolo BacigalupiTags: pain
A rush of primal satisfaction flooded Tool as his opponent surrendered to death. Blackness swamped Tool’s vision, and he let go.
He had conquered.
Even as he died, he conquered.
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