Carnal embrace is sexual congress, which is the insertion of the male genital organ into the female genital organ for purposes of procreation and pleasure. Fermat’s last theorem, by contrast, asserts that when x, y and z are whole numbers each raised to power of n, the sum of the first two can never equal the third when n is greater than 2.

Tom Stoppard

Tags: sex maths fermat



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VALENTINE: Are you talking about Lord Byron, the poet?

BERNARD: No, you fucking idiot, we're talking about Lord Byron, the chartered accountant.

Tom Stoppard


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LADY CROOM: You have been reading too many novels by Mrs Radcliffe, that is my opinion. This is a garden for The Castle of Otranto or The Mysteries of Udolpho --

CHATER: The Castle of Otranto, my lady, is by Horace Walpole.

NOAKES: (Thrilled) Mr Walpole the gardener?!

LADY CROOM: Mr Chater, you are a welcome guest at Sidley Park but while you are one, The Castle of Otranto was written by whomsoever I say it was, otherwise what is the point of being a guest or having one?

Tom Stoppard

Tags: lady-croom



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HANNAH: ....English landscape was invented by gardeners imitating foreign painters who were evoking classical authors. The whole thing was brought home in the luggage from the Grand Tour. Here, look -- Capability Brown doing Claude, who was doing Virgil. Arcadia! And here, superimposed by Richard Noakes, untamed nature in the style of Salvator Rosa. It's the Gothic novel expressed in landscape. Everything but vampires.

Tom Stoppard

Tags: richard-noakes rosa salvator-rosa



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THOMASINA: ....the enemy who burned the great library of Alexandria without so much as a fine for all that is overdue. Oh, Septimus! -- can you bear it? All the lost plays of the Athenians! Two hundred at least by Aeschylus, Sophocles, Euripides -- thousands of poems -- Aristotle's own library!....How can we sleep for grief?

SEPTIMUS: By counting our stock. Seven plays from Aeschylus, seven from Sophocles, nineteen from Euripides, my lady! You should no more grieve for the rest than for a buckle lost from your first shoe, or for your lesson book which will be lost when you are old. We shed as we pick up, like travellers who must carry everything in their arms, and what we let fall will be picked up by those behind. The procession is very long and life is very short. We die on the march. But there is nothing outside the march so nothing can be lost to it. The missing plays of Sophocles will turn up piece by piece, or be written again in another language. Ancient cures for diseases will reveal themselves once more. Mathematical discoveries glimpsed and lost to view will have their time again. You do not suppose, my lady, that if all of Archimedes had been hiding in the great library of Alexandria, we would be at a loss for a corkscrew?

Tom Stoppard

Tags: entropy grief-and-loss



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HANNAH: Don't let Bernard get to you. It's only performance art, you know. Rhetoric, they used to teach it in ancient times, like PT. It's not about being right, they had philosophy for that. Rhetoric was their chat show. Bernard's indignation is a sort of aerobics for when he gets on television.

Tom Stoppard

Tags: rhetoric



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SEPTIMUS: My lady, I was alone with my thoughts in the gazebo, when Mrs Chater ran me to ground, and I being in such a passion, in an agony of unrelieved desire --

LADY CROOM: Oh....!

SEPTIMUS: -- I thought in my madness that the Chater with her skirts over her head would give me the momentary illusion of the happiness to which I dared not put a face.

(Pause.)

LADY CROOM: I do not know when I have received a more unusual compliment, Mr Hodge. I hope I am more than a match for Mrs Chater with her head in a bucket. Does she wear drawers?

SEPTIMUS: She does.

LADY CROOM: Yes, I have heard that drawers are being worn now. It is unnatural for women to be got up like jockeys. I cannot approve.

Tom Stoppard

Tags: lady-croom



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LADY CROOM: ....My lake is drained to a ditch for no purpose I can understand, unless it be that snipe and curlew have deserted three counties so that they may be shot in our swamp. What you painted as forest is a mean plantation, your greenery is mud, your waterfall is wet mud, and your mount is an opencast mine for the mud that was lacking in the dell. (Pointing through the window) What is that cowshed?

NOAKES: The hermitage, my lady?

LADY CROOM: It is a cowshed.

NOAKES: It is, I assure you, a very habitable cottage, properly founded and drained, two rooms and a closet under a slate roof and a stone chimney --

LADY CROOM: And who is to live in it?

NOAKES: Why, the hermit.

LADY CROOM: Where is he?

NOAKES: Madam?

LADY CROOM: You surely do not supply an hermitage without a hermit?

NOAKES: Indeed, madam --

LADY CROOM: Come, come, Mr Noakes. If I am promised a fountain I expect it to come with water. What hermits do you have?

NOAKES: I have no hermits, my lady.

LADY CROOM: Not one? I am speechless.

NOAKES: I am sure a hermit can be found. One could advertise.

LADY CROOM: Advertise?

NOAKES: In the newspapers.

LADY CROOM: But surely a hermit who takes a newspaper is not a hermit in whom one can have complete confidence.

Tom Stoppard

Tags: lady-croom



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When you stir your rice pudding, Septimus, the spoonful of jam spreads itself round making red trails like the picture of a meteor in my astronomical atlas. But if you stir backwards, the jam will not come together again. Indeed, the pudding does not notice and continues to turn pink just as before. Do you think this is odd?

Tom Stoppard

Tags: time entropy



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You can't treat royalty like people with normal perverted desires.

Tom Stoppard

Tags: desires perversion royalty



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