The most effective way of destroying art is the canonization of one given form. And one philosophy.
Yevgeny ZamyatinTags: art writing literature canon
If we have no heretics we must invent them, for heresy is essential to health and growth.
Yevgeny ZamyatinTags: art literature heresy heretics
Gripped with bitter cold, ice-locked, Petersburg burned in delirium. One knew: out there, invisible behind the curtain of fog, the red and yellow columns, spires, and hoary gates and fences crept on tiptoe, creaking and shuffling. A fevered, impossible, icy sun hung in the fog - to the left, to the right, above, below - a dove over a house on fire. From the delirium-born, misty world, dragon men dived up into the earthly world, belched fog - heard in the misty world as words, but here becoming nothing - round white puffs of smoke. The dragon men dived up and disappeared again into the fog. And trolleys rushed screeching out of the earthly world into the unknown. ("The Dragon")
Yevgeny ZamyatinHeretics are the only [bitter] remedy against the entropy of human thought.
("Literature, Revolution, and Entropy")
Tags: art writing writers heretics
We need writers who fear nothing. ("Our Goal")
Yevgeny ZamyatinWith his head thrust forward like a ram, Baryba pushed his way through to the front. For some reason this was necessary, he felt with all his guts that it was necessary. He clenched his iron jaws. Something bestial stirred in him, something he hungered for, some murderous instinct. To be with everybody, to howl like everybody, to hit the one that everybody else was hitting. ("A Provincial Tale")
Yevgeny ZamyatinThe moon climbed out of the ravine, blue, skinny, as if it had been fed on nothing but skimmed milk. It climbed out, and quickly slithered up and up along the finest thread-away from trouble, and on the very top it huddled, crouching on thin legs. ("The Protectress Of Sinners")
Yevgeny ZamyatinTags: moon
White-crested waves crash on the shore. The masts sway violently, every which way. In the gray sky the gulls are circling like white flakes. Rain squalls blow past like gray slanting sails, and blue gaps open in the sky. The air brightens.
A cold silvery evening. The moon is overhead, and down below, in the water; and all around it-a wide frame of old, hammered, scaly silver. Etched on the silver-silent black fishing boats, tiny black needles of masts, little black men casting invisible lines into the silver. And the only sounds are the occasional plashing of an oar, the creaking of an oarlock, the springlike leap and flip-flop of a fish. ("The North")
Tags: moon night storm boats shore beach
Life itself has lost its plane reality: it is projected, not along the old fixed points, but along the dynamic coordinates of Einstein, of revolution. In this new projection, the best-known formulas and objects become displaced, fantastic, familiar-unfamiliar. This is why it is so logical for literature today to be drawn to the fantastic plot, or to the amalgam of reality and fantasy. ("The New Russian Prose")
Yevgeny ZamyatinTags: art literature fantasy realism
Midsummer Night was roasting hot. The shore, of red granite, glowed with the heat; the dark blood of the earth seemed to be rising from below. There was a sharp, unbearable smell of birds, of cod, of green decaying seaweed. Through the mist the huge ruddy sun loomed nearer and nearer. And in the sea, dark blood welled up to meet it - in bloated, rearing, huge white waves.
Night. The mouth of the bay between two cliffs was like a window. A window shutting out curious eyes with a white shade-white woolly fog. And all that you could see was that behind it something red was happening. ("The North")
Tags: midsummer midsummer-night
« first previous
Page 5 of 15.
next last »
Data privacy
Imprint
Contact
Diese Website verwendet Cookies, um Ihnen die bestmögliche Funktionalität bieten zu können.