If I made a joke about just dropping by, would you write me off as cliché?
Cassandra ClareTags: clichés clary-fray jace-wayland the-institute
It is time to effect a revolution in female manners - time to restore to them their lost dignity - and make them, as a part of the human species, labour by reforming themselves to reform the world. It is time to separate unchangeable morals from local manners.
Mary WollstonecraftTags: empowerment gender women morality manners feminism misogyny hypocrisy stereotypes double-standards clichés dignity reform social-norms
My own sex, I hope, will excuse me, if I treat them like rational creatures, instead of flattering their fascinating graces, and viewing them as if they were in a state of perpetual childhood, unable to stand alone.
Mary WollstonecraftTags: strength empowerment equality gender reason men women feminism self-determination misogyny hypocrisy independence rationality stereotypes flattery double-standards self-sufficiency clichés social-norms women-s-rights
Two clichés make us laugh. A hundred cliches move us. For we sense dimly that the clichés are talking among themselves, and celebrating a reunion.
(Casablanca, or, The Clichés Are Having a Ball)
i do not say 'good-bye.' i believe that's one of the bullshittiest words ever invented. it's not like you're given the choice to say 'bad-bye' or 'awful-bye' or 'couldn't-care-less-about-you-bye.' every time you leave, it's supposed to be a good one. well, i don't believe in that. i believe against that.
David LevithanTags: language clichés salutation
Clichés remind and reassure us that we're not alone, that others have trod this ground long ago.
Miguel SyjucoTags: clichés
When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate.
Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader.
That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations.
Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb
Iron Dragon's Daughter
gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies?
Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge.
The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.
Tags: literature aesthetics clichés j-r-r-tolkien fantasy-fiction
I felt like the blonde in every horror movie who hears a noise in the basement and goes to investigate alone. Sometimes you smell the stupid all around you, but you step in it anyway.
Ann AguirreTags: clichés blonde-humor
As long as she thinks of a man, nobody objects to a woman thinking.
Virginia WoolfTags: intelligence empowerment gender men women thought feminism self-determination misogyny hypocrisy stereotypes double-standards clichés dignity social-norms
If men could see us as we really are, they would be a little amazed; but the cleverest, the acutest men are often under an illusion about women: they do not read them in a true light: they misapprehend them, both for good and evil: their good woman is a queer thing, half doll, half angel; their bad woman almost always a fiend.
Charlotte BrontëTags: illusions empowerment gender women feminism misogyny hypocrisy stereotypes expectations double-standards clichés false-belief misconceptions
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