Every kingdom has three pillars: Poet, Sword and Law.
Lara BiyutsTags: life world literature life-and-living creative-writing
Tags: life inspirational writing inspirational-quotes universe living life-and-living bones inspiring creative-writing creativity-work capturing a-d-sams ad-sams alisha-sams creative-thinking-the-world sams seeing-the-world
Workshop Hermeticism, fiction for which the highest praise involves the words 'competent,' 'finished,' 'problem-free,' fiction over which Writing-Program pre- and proscriptions loom with the enclosing force of horizons: no character without Freudian trauma in accessible past, without near-diagnostic physical description; no image undissolved into regulation Updikean metaphor; no overture without a dramatized scene to 'show' what's 'told'; no denouement prior to an epiphany whose approach can be charted by and Freitag on any Macintosh.
David Foster WallaceTags: writing literature fiction creative-writing
…I’ve seen the world tell us with wars and real estate developments and bad politics and odd court decisions that our lives don’t matter. That may be because we are too many. Architecture and application form, modern life says that with so many of us we can best survive by ignoring identity and acting as it individual differences do not exist. Maybe the narcissism academics condemn in creative writers is but a last reaching for a kind of personal survival. Anyway, as a sound psychoanalyst once remarked to me dryly, narcissism is difficult to avoid. When we are told in dozens of insidious ways that our lives don’t matter, we may be forced to insist, often far too loudly, that they do.
Richard HugoTags: life writing creative-writing
I often said that writers are of two types.
There is the architect, which is one type. The architect, as if designing a building, lays out the entire novel at a time. He knows how many rooms there will be or what a roof will be made of or how high it will be, or where the plumbing will run and where the electrical outlets will be in its room. All that before he drives the first nail. Everything is there in the blueprint.
And then there's the gardener who digs the hole in the ground, puts in the seed and waters it with his blood and sees what comes up. The gardener knows certain things. He's not completely ignorant. He knows whether he planted an oak tree, or corn, or a cauliflower. He has some idea of the shape but a lot of it depends on the wind and the weather and how much blood he gives it and so forth.
No one is purely an architect or a gardener in terms of a writer, but many writers tend to one side or the other. I'm very much more a gardener.
Tags: writing writers authors creative-writing architect gardner
What’s your story? It’s all in the telling. Stories are compasses and architecture; we navigate by them, we build our sanctuaries and our prisons out of them, and to be without a story is to be lost in the vastness of a world that spreads in all directions like arctic tundra or sea ice. To love someone is to put yourself in their place, we say, which is to put yourself in their story, or figure out how to tell yourself their story.
Rebecca SolnitTags: creative-writing narration
We are taken through the pursuit of the American dream, the establishment of the American family, and a smattering of suspense and intrigue.
Nikita AllgireTags: creative-writing graduate-studies
Plays are nearly always about the consequences of events while films are usually about the events. The what-happens-next factor is essential in film.
Richard ToscanTags: plays screenwriting creative-writing
There are three primal urges in human beings: food, sex, and rewriting some else's play.
Romulus LinneyTags: screenwriting creative-writing playwriting
Like Elmore Leonard and Donald Westlake and Robert B. Parker and oh so many others, I want to die with my boots on, facedown on my keyboard if possible, in the middle of a sentence.
Kristine Kathryn RuschTags: writer publishing writing-life creative-writing
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