Good for Christmas-time is the ruddy colour of the cloak in which--the tree making a forest of itself for her to trip through, with her basket--Little Red Riding-Hood comes to me one Christmas Eve to give me information of the cruelty and treachery of that dissembling Wolf who ate her grandmother, without making any impression on his appetite, and then ate her, after making that ferocious joke about his teeth. She was my first love. I felt that if I could have married Little Red Riding-Hood, I should have known perfect bliss. But, it was not to be; and there was nothing for it but to look out the Wolf in the Noah's Ark there, and put him late in the procession on the table, as a monster who was to be degraded.

Charles Dickens

Tags: christmas wolves dickens wolf fairytales charles-dickens fairytale red little-red-riding-hood christmas-eve little-red noah-s-ark



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A heart well worth winning, and well won. A heart that, once won, goes through fire and water for the winner, and never changes, and is never daunted.

Charles Dickens

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I sit in my room like Miss Havisham, about whom I have been reading this week. Better the Dickens you know than the Dickens you don't know - on the whole I enjoyed it. But I should like to say something about this 'irrepressible vitality', this 'throwing a fresh handful of characters on the fire when it burns low', in fact the whole Dickens method - it strikes me as being less ebullient, creative, vital, than hectic, nervy, panic-stricken. If he were a person I should say 'You don't have to entertain me, you know. I'm quite happy just sitting here.' This jerking of your attention, with queer names, queer characters, aggressive rhythms, piling on adjectives - seems to me to betray basic insecurity in his relation with the reader. How serenely Trollope, for instance, compares. I say in all seriousness that, say what you like about Dickens as an entertainer, he cannot be considered as a real writer at all; not a real novelist. His is the garish gaslit melodramatic barn (writing that phrase makes me wonder if I'm right!) where the yokels gape: outside is the calm measureless world, where the characters of Eliot, Trollope, Austen, Hardy (most of them) and Lawrence (some of them) have their being.

Philip Larkin

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You don't know how you haunt and bewilder me. You don't know how the cursed carelessness that is over-officious in helping me at every other turning of my life WON'T help me here. You have struck it dead, I think, and I sometimes wish you had struck me dead along with it.

Charles Dickens

Tags: our-mutual-friend dickens eugene-wrayburn



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The year was dying early, the leaves were falling fast, it was a raw cold day when we took possession, and the gloom of the house was most depressing. The cook (an amiable woman, but of a weak turn of intellect) burst into tears on beholding the kitchen, and requested that her silver watch might be delivered over to her sister (2 Tuppintock’s Gardens, Liggs’s Walk, Clapham Rise), in the event of anything happening to her from the damp. Streaker, the housemaid, feigned cheerfulness, but was the greater martyr. The Odd Girl, who had never been in the country, alone was pleased, and made arrangements for sowing an acorn in the garden outside the scullery window, and rearing an oak.

Charles Dickens

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As I know only too well, anticipation od happiness can sometimes be as gratifying as its consummation. Even during the first months of my separation, every footstep on the pavement would have me racing to the window, and every ring of the doorbell would set my heart beating as fast as a bird's. But as the months went by without even a word, I gradually had to relinquish my hopes of seeing him again. It was not easy to do so, and I am not sure whether I have managed it entirely; however I did stop waking with that thought in my head, imagining what he was doing every hour of the day, and whether his journey would by chance take him past my door. I tried to tell myself instead that I was fortunate in my neglect; that now I needed have no fear that he would arrive and his gimlet eye start to anatomize the cushions, or the curtains, or the state of the fireplace; that now, at last, my life was my own. But truth to tell, I would have given anything to see him walk with his jaunty step up to my front door and rap out a cheerful rhythm with his silver-topped cane.

Gaynor Arnold

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The master was the light of her life. And I always says that the ones who quarrels takes the loss the hardest in the end. It's regrets, isn't it? All they didn't say or do. She'll feel it more than the rest, mark my words

Gaynor Arnold

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Dickens' hypocrites are the prime beneficiaries of his inventive genius. The heroes and heroines have no imagination. We could scrap all the solemn parts of his novels without impairing his status as a writer. But we could not remove Mrs. Gamp or Pecksniff or Bounderby without maiming him irreparably.

John Carey

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Dickens' plots are his most discardable properties, and often have to be pushed aside to let the strange poetry of his imagination emerge.

John Carey

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Scrooge followed to the window: desperate in his curiosity. He looked out.

The air was filled with phantoms, wandering hither and thither in restless haste, and moaning as they went. Every one of them wore chains like Marley's Ghost; some few (they might be guilty governments) were linked together; none were free. Many had been personally known to Scrooge in their lives. He had been quite familiar with one old ghost, in a white waistcoat, with a monstrous iron safe attached to its ankle, who cried piteously at being unable to assist a wretched woman with an infant, whom it saw below, upon a door-step. The misery with them all was, clearly, that they sought to interfere, for good, in human matters, and had lost the power for ever

Charles Dickens

Tags: dickens christmas-carol



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