The fantastic is always a break in the acknowledged order, an irruption of the inadmissible within the changeless everyday legality
Roger CailloisTags: fantasy fantastic fantastique
From DW:
I got it. “Here's the thing,” I said. "I'm not going to be the government's bitch.
Tags: fantasy paranormal-romance sci-fi suspense paranormal supernatural young-adult teen urban-fantasy
People with imagination
Arthur LevineTags: fantasy prophet chrlatan
There are two novels that can change a bookish fourteen-year old’s life:
The Lord of the Rings
and Atlas Shrugged. One is a childish fantasy that often engenders a lifelong obsession with its unbelievable heroes, leading to an emotionally stunted, socially crippled adulthood, unable to deal with the real world. The other, of course, involves orcs."
[Kung Fu Monkey -- Ephemera, blog post, March 19, 2009]
Tags: reading books education fantasy children-s-literature atlas-shrugged ayn-rand lord-of-the-rings life-changing real-world jrr-tolkien
As Ariel recounted the events of her dream, two magnificent, batlike wings grew from the backs of her shoulders, stretched as if preparing to fly, then retreated back into their host. The sound heard when the wings disappear is the giggling of Alanna, who watched the event much the same way I did, in rapt wonder.
Don A. MartinezOne of the most brilliant Russian writers of the twentieth century, Yevgeny Zamyatin belongs to the tradition in Russian literature represented by Gogol, Leskov, Bely, Remizov, and, in certain aspects of their work, also by Babel and Bulgakov. It is a tradition, paradoxically, of experimenters and innovators. Perhaps the principal quality that unites them is their approach to reality and its uses in art - the refusal to be bound by literal fact, the interweaving of reality and fantasy, the transmutation of fact into poetry, often grotesque, oblique, playful, but always expressive of the writer's unique vision of life in his own, unique terms.
Mirra GinsburgTags: writing writers fantasy realism russian-literature russian-author zamyatin
Life itself has lost its plane reality: it is projected, not along the old fixed points, but along the dynamic coordinates of Einstein, of revolution. In this new projection, the best-known formulas and objects become displaced, fantastic, familiar-unfamiliar. This is why it is so logical for literature today to be drawn to the fantastic plot, or to the amalgam of reality and fantasy. ("The New Russian Prose")
Yevgeny ZamyatinTags: art literature fantasy realism
As has already been noted, fantastic literature developed at precisely the moment when genuine belief in the supernatural was on the wane, and when the sources provided by folklore could safely be used as literary material. It is almost a necessity, for the writer as well as for the reader of fantastic literature, that he or she should not believe in the literal truth of the beings and objects described, although the preferred mode of literary expression is a naive realism. Authors of fantastic literature are, with a few exceptions, not out to convert, but to set down a narrative story endowed with the consistency and conviction of inner reality only during the time of the reading: a game, sometimes a highly serious game, with anxiety and fright, horror and terror.
Franz RottensteinerTags: fantasy horror supernatural terror fantastic fantastique
Supernatural fiction contains its own generic borderland: a neutral territory, which Tzvetan Todorov calls 'the fantastic,' between 'the marvelous' and 'the uncanny.' According to Todorov, 'The fantastic is that hesitation experienced by a person who knows only the laws of nature, confronting an apparently supernatural event.' Once the event is satisfactorily explained (and sometimes it is never explained), we have left the fantastic for an adjacent genre - either 'the uncanny,' where the apparently supernatural is revealed as illusory, or 'the marvelous,' where the laws of ordinary reality must be revised to incorporate the supernatural. As long as uncertainty reigns, however, we are in the ambiguous realm of the fantastic.
Howard KerrTags: fantasy supernatural fantastic uncanny marvelous todorov
In any event, whether a supernatural tale remains altogether fantastic or eventually modulates to the uncanny or the marvelous, the reader is faced with disconcerting ontological and perceptual problems.
Indeed, the disorienting effect of the supernatural encounter in fiction seems to reflect some deeper disorientations in the culture at large.
Tags: fantasy horror supernatural fantastic uncanny marvelous
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