Lucinda might sneak from her own house at midnight to place a wager somewhere else, but she dared not touch the pack that lay in her own sideboard. She knew how passionate he had become about his 'weakness.' She dared not even ask him how it was he had reversed his opinions on the matter. But, oh, how she yearned to discuss it with him, how much she wished to deal a hand on a grey wool blanket. There would be no headaches then, only this sweet consummation of their comradeship.
But she said not a word. And although she might have her 'dainty' shoes tossed to the floor, have her bare toes quite visible through her stockings, have a draught of sherry in her hand, in short appear quite radical, she was too timid, she thought, too much a mouse, to reveal her gambler's heart to him. She did not like this mouselike quality. As usual, she found herself too careful, too held in.
Once she said: 'I wish I had ten sisters and a big kitchen to laugh in.'
Her lodger frowned and dusted his knees.
She thought: He is as near to a sister as I am likely to get, but he does not understand.
She would have had a woman friend so they could brush each other's hair, and just, please God, put aside this great clanking suit of ugly armor.
She kept her glass dreams from him, even whilst she appeared to talk about them. He was an admiring listener, but she only showed him the opaque skin of her dreams--window glass, the price of transporting it, the difficulties with builders who would not pay their bills inside six months. He imagined this was her business, and of course it was, but all the things she spoke of were a fog across its landscape which was filled with such soaring mountains she would be embarrassed to lay claim to them. Her true ambition, the one she would not confess to him, was to build something Extraordinary and Fine from glass and cast iron. A conservatory, but not a conservatory. Glass laced with steel, spun like a spider web--the idea danced around the periphery of her vision, never long enough to be clear. When she attempted to make a sketch, it became diminished, wooden, inelegant. Sometimes, in her dreams, she felt she had discovered its form, but if she had, it was like an improperly fixed photograph which fades when exposed to daylight. She was wise enough, or foolish enough, to believe this did not matter, that the form would present itself to her in the end.
In the end, fiction is the craft of telling truth through lies.
Lauren GroffTags: writing on-fiction fiction
There is no doubt fiction makes a better job of the truth.
Doris LessingTags: truth on-fiction fiction storytelling truth-telling
Karl Marx: "Religion is the opiate of the masses."
Carrie Fisher: "I did masses of opiates religiously.
Tags: humor writing fiction addiction acting celebrities recovery alcoholism dysfunctional-families producing rehab screenwriting wishful-drinking
Lucretia Jane Price. A sweet name for a sweet lady that smelled of roses, spoke with a sweet drawl, and was surely made of all the sweet country things a man who hadn't eaten a good meal in a long time could imagine -- molasses, sweet peas, sweet corn, freshly churned butter.
Linda Leigh HargroveWith Catty and Patrick's images in he side mirror waving from the steps of that house like Jethro and Ellie Mae, it occurred to me that something extraordinary had happened. I had effortlessly found a place of acceptance -- a place where people had taken me for me, not for what I could give them -- and I had left it.
Linda Leigh HargroveI imagined the sound of whips on black backs and the roar of the overseer over the cry of mothers being separated from their babies. I pulled on all the strength I had not to shot out every valuable leaded pane of glass in that stinking house.
Linda Leigh HargroveThe novel is a formidable mass, and it is so amorphous - no mountain in it to climb, no Parnassus or Helicon, not even a Pisgah. It is most distinctly one of the moister areas of literature - irrigated by a hundred rills and occasionally degenerating into a swamp. I do not wonder that the poets despise it, though they sometimes find themselves in it by accident. And I am not surprised at the annoyance of the historians when by accident it finds itself among them.
E.M. ForsterTags: poetry writing fiction prose novel
We care about moral issues, nobility, decency, happiness, goodness—the issues that matter in the real world, but which can only be addressed, in their purity, in fiction.
Orson Scott CardTags: morality literature on-fiction fiction
I have always held the old-fashioned opinion that the primary object of work of fiction should be to tell a story.
Wilkie CollinsTags: inspirational writing on-fiction fiction storytelling
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