The world of shadows and superstition that was Victorian England, so well depicted in this 1871 tale, was unique. While the foundations of so much of our present knowledge of subjects like medicine, public health, electricity, chemistry and agriculture, were being, if not laid, at least mapped out, people could still believe in the existence of devils and demons. And why not? A good ghost story is pure entertainment. It was not until well into the twentieth century that ghost stories began to have a deeper significance and to become allegorical; in fact, to lose their charm. No mental effort is required to read 'The Weird Woman', no seeking for hidden meanings; there are no complexities of plot, no allegory on the state of the world. And so it should be. At what other point in literary history could a man, standing over the body of his fiancee, say such a line as this:

'Speak, hound! Or, by heaven, this night shall witness two murders instead of one!'

Those were the days.

(introduction to "The Weird Woman")

Hugh Lamb

Tags: horror victorian ghost-story victorian-era ghost-stories victorian-london victorian-age victorian-literature



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It always is Christmas Eve, in a ghost story.

Jerome K. Jerome

Tags: ghost christmas-eve ghost-story ghost-stories



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He does love prophesying a misfortune, does the average British ghost. Send him out to prognosticate trouble to somebody, and he is happy. Let him force his way into a peaceful home, and turn the whole house upside down by foretelling a funeral, or predicting a bankruptcy, or hinting at a coming disgrace, or some other terrible disaster, about which nobody in their senses would want to know sooner than they could possible help, and the prior knowledge of which can serve no useful purpose whatsoever, and he feels that he is combining duty with pleasure. He would never forgive himself if anybody in his family had a trouble and he had not been there for a couple of months beforehand, doing silly tricks on the lawn or balancing himself on somebody's bedrail.

("Introduction" to TOLD AFTER SUPPER)

Jerome K. Jerome

Tags: ghosts prognostication ghost ghost-story ghost-stories



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After breakfast the host takes the young man into a corner, and explains to him that what he saw was the ghost of a lady who had been murdered in that very bed, or who had murdered somebody else there - it does not really matter which: you can be a ghost by murdering somebody else or by being murdered yourself, whichever you prefer. The murdered ghost is, perhaps, the more popular; but, on the other hand, you can frighten people better if you are the murdered one, because then you can show your wounds and do groans.

("Introduction" to TOLD AFTER SUPPER)

Jerome K. Jerome

Tags: ghosts ghost ghost-story ghost-stories



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I believe ghost story writing is a dying art.

H. Russell Wakefield

Tags: ghosts ghost ghost-story ghost-stories



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His indirect way of approaching a character or an action, striving to realize it by surrounding rather than invading it, is ideally suited to the indefinite and suggestive presentation of a ghost story.

(introduction to "Sir Edmund Orme" by Henry James)

Herbert A. Wise

Tags: writing horror henry-james writing-style ghost-story ghost-stories



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