When I was a child, Mama had the best voice of all the members of the church. She had loved to sing. Her words had soared like an angel's over the swells of the organ. In fact, I now suspected, her entire theology had been taken from the hymnal.
Siri MitchellTags: music christianity religion singing hymns
He threw his head back and sang, "'I am a centaur, yes, a centaur is what I am.' It's not like you to wax, Artemis"
"Foaly is singing," said Holly. "Surely that's illegal?
Tags: singing holly foaly illegal
It wasn't that Nanny Ogg sang badly. It was just that she could hit notes which, when amplified by a tin bath half full of water, ceased to be sound and became some sort of invasive presence.
Terry PratchettAnd oh I want so much to sing, I tell myself no. But it is so hard to keep from singing.
Donna Jo NapoliTags: singing sing donna-jo-napoli sirena
Tucker: "Today we ran into a mama grizzly with two cubs at the ridge off Colter Bay and Clara sang to it to make it go away."
Mrs. Avery: You sang to it?
Tucker: Her singing is that bad.
Tags: humour singing clara-gardner tucker-avery grizzly
If you really want to be totally accurate about it, the day that really changed Abby's life wasn't the day she discovered her power.
It was the day Ben sang to her in the Telekinesis lab.
Tags: singing ben abby-cadabra abby-carnelia
She sang, as requested. There was much about love in the ballad: faithful love that refused to abandon its object; love that disaster could not shake; love that, in calamity, waxed fonder, in poverty clung closer. The words were set to a fine old air -- in themselves they were simple and sweet: perhaps, when read, they wanted force; when well sung, they wanted nothing. Shirley sang them well: she breathed into the feeling, softness, she poured round the passion, force: her voice was fine that evening; its expression dramatic: she impressed all, and charmed one.
On leaving the instrument, she went to the fire, and sat down on a seat -- semi-stool, semi-cushion: the ladies were round her -- none of them spoke. The Misses Sympson and the Misses Nunnely looked upon her, as quiet poultry might look on an egret, an ibis, or any other strange fowl. What made her sing so? They never sang so. Was it proper to sing with such expression, with such originality -- so unlike a school girl? Decidedly not: it was strange, it was unusual. What was strange must be wrong; what was unusual must be improper. Shirley was judged.
Tags: talent love gender passion music women empathy morality society judgment jealousy singing expression prejudice understanding hypocrisy devotion feeling fidelity expectations gift faithfulness preconceptions musicality rejection social-norms propriety
For weeks Charlie had been singing the same song over and over again.
“Dinah won’t you blow…”
He sang it twenty-four hours a day, with the same vacant, cheerful tone.
”Dinah won’t you blow your hor-or-orn?”
He kept the beat with his head, endlessly banging it against the hallways bulkhead.
“Dinah won’t you blow…”
Johnnie-O, who had very little patience to begin with, would have pulled out his hair, were it possible for an Afterlight’s hair to come out.
“Dinah won’t you blow…”
Johnnie squeezed his oversized hands into fists, wishing there was something he could bust, but having spent many years trying to break things, he knew more than anyone that Everlost stuff didn’t break, unless breakage was its purpose.
“Dinah won’t you blow your horn!”
“Dammit, will you shut your hole or I swear I’m gonna pound you into next Tuesday and then throw you out of the stinkin’ window where you and your song can drown and sink down to the center of earth for all I care, so you better shut your hole right now!”
Charlie looked at him for a moment, eyes wide, considering it. Then he said, ”Someone’s in the kitchen with Dinah!”
Johnnie groaned.
A Faint Music by Robert Hass
Maybe you need to write a poem about grace.
When everything broken is broken,
and everything dead is dead,
and the hero has looked into the mirror with complete contempt,
and the heroine has studied her face and its defects
remorselessly, and the pain they thought might,
as a token of their earnestness, release them from themselves
has lost its novelty and not released them,
and they have begun to think, kindly and distantly,
watching the others go about their days—
likes and dislikes, reasons, habits, fears—
that self-love is the one weedy stalk
of every human blossoming, and understood,
therefore, why they had been, all their lives,
in such a fury to defend it, and that no one—
except some almost inconceivable saint in his pool
of poverty and silence—can escape this violent, automatic
life’s companion ever, maybe then, ordinary light,
faint music under things, a hovering like grace appears.
As in the story a friend told once about the time
he tried to kill himself. His girl had left him.
Bees in the heart, then scorpions, maggots, and then ash.
He climbed onto the jumping girder of the bridge,
the bay side, a blue, lucid afternoon.
And in the salt air he thought about the word “seafood,”
that there was something faintly ridiculous about it.
No one said “landfood.” He thought it was degrading to the rainbow perch
he’d reeled in gleaming from the cliffs, the black rockbass,
scales like polished carbon, in beds of kelp
along the coast—and he realized that the reason for the word
was crabs, or mussels, clams. Otherwise
the restaurants could just put “fish” up on their signs,
and when he woke—he’d slept for hours, curled up
on the girder like a child—the sun was going down
and he felt a little better, and afraid. He put on the jacket
he’d used for a pillow, climbed over the railing
carefully, and drove home to an empty house.
There was a pair of her lemon yellow panties
hanging on a doorknob. He studied them. Much-washed.
A faint russet in the crotch that made him sick
with rage and grief. He knew more or less
where she was. A flat somewhere on Russian Hill.
They’d have just finished making love. She’d have tears
in her eyes and touch his jawbone gratefully. “God,”
she’d say, “you are so good for me.” Winking lights,
a foggy view downhill toward the harbor and the bay.
“You’re sad,” he’d say. “Yes.” “Thinking about Nick?”
“Yes,” she’d say and cry. “I tried so hard,” sobbing now,
“I really tried so hard.” And then he’d hold her for a while—
Guatemalan weavings from his fieldwork on the wall—
and then they’d fuck again, and she would cry some more,
and go to sleep.
And he, he would play that scene
once only, once and a half, and tell himself
that he was going to carry it for a very long time
and that there was nothing he could do
but carry it. He went out onto the porch, and listened
to the forest in the summer dark, madrone bark
cracking and curling as the cold came up.
It’s not the story though, not the friend
leaning toward you, saying “And then I realized—,”
which is the part of stories one never quite believes.
I had the idea that the world’s so full of pain
it must sometimes make a kind of singing.
And that the sequence helps, as much as order helps—
First an ego, and then pain, and then the singing
It was the only lullaby she would ever sing, and it was sung in Hell.
Laini TaylorTags: singing hell laini-taylor lips-touch-three-times
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