I believe that in judging our actions we are more severe than professional judges. We judge not only our actions, but our thoughts, our intentions, our secret curses, our hidden hate.
Anaïs NinI believe that men are generally still a little afraid of the dark though the witches are all hung, and Christianity and candles have been introduced.
Anaïs NinMots clés christianity darkness withces
I looked at it [revolver] as if it reminded me of a crime I had committed with an irrepressible smile such as rises sometimes to people’s lips in the face of great catastrophes which are beyond their grasp, the smile that comes at times on certain women’s faces while they are saying they regret the harm they have done. It is the smile of nature quietly and proudly asserting its natural right to kill.
Anaïs NinMots clés smile anais-nin crime regret revolver nature-s-right-to-kill
The theme of the diary is always the personal, but it does not mean only a personal story: it means a personal relationship to all things and people. The personal, if it is deep enough, becomes universal, mythical, symbolic; I never generalize, intellectualise. I see, I hear, I feel. These are my primitive elements of discovery.
Music, dance, poetry and painting are the channels for emotion. It is through them that experience penetrates our bloodstream.
I really believe that if I were not a writer, not a creator, not an experimenter, I might have been a very faithful wife.
Anaïs NinI was stirred only like a leaf in the wind, that is all. . .
Anaïs NinMots clés inspirational romantic erotic-romance
At first I protested and rebelled against poetry. I was about to deny my poetic worlds. I was doing violence to my illusions with analysis, science, and learning Henry’s language, entering Henry’s world. I wanted to destroy by violence and animalism my tenuous fantasies and illusions and my hypersensitivity. A kind of suicide. The ignominy awakened me. Then June came and answered the cravings of my imagination and saved me. Or perhaps she killed me, for now I am started on a course of madness.
Anaïs NinMots clés imagination poetry idealism anais-nin
The writer is the duelist who never fights at the stated hour, who gathers up an insult, like another curious object, a collector's item, spreads it out on his desk later, and then engages in a duel with it verbally. Some people call it weakness. I call it postponement. What is weakness in the man becomes a quality in the writer. For he preserves, collects what will explode later in his work. That is why the writer is the loneliest man in the world; because he lives, fights, dies, is reborn always alone; all his roles are played behind a curtain. In life he is an incongruous figure.
Anaïs NinMots clés writing writer passivity anaïs-nin
I must know, he thinks. It must be clear to me. There is a world which is closed to him, a world of shadings, gradations, nuances, and subtleties. He is a genius and yet he is too explicit. June slips between his fingers. You cannot posses without loving.
Anaïs NinMots clés love genius anais-nin genius-separateness
There is a fissure in my vision and madness will always rush through.
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