What I'm trying to describe is that it's impossible to get out of your skin into somebody else's.... That somebody else's tragedy is not the same as your own.
Diane ArbusMots clés art photography photographs
For me, the subject of the picture is always more important than the picture.
Diane ArbusMots clés art photography photographs
One thing that struck me early is that you don’t put into a photograph what’s going to come out. Or, vice versa, what comes out is not what you put in.
Diane ArbusMots clés art photography photographs
You see someone on the street, and essentially what you notice about them is the flaw.
Diane ArbusMots clés flaw
What moves me about...what's called technique...is that it comes from some mysterious deep place. I mean it can have something to do with the paper and the developer and all that stuff, but it comes mostly from some very deep choices somebody has made that take a long time and keep haunting them.
Diane ArbusMots clés art haunting diane-arbus
Nothing is ever the same as they said it was.
Diane ArbusMy favorite thing is to go where I've never been.
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Nothing is ever the same as they said it was. It's what I've never seen before that I recognize.
Diane ArbusI mean, it's very subtle and a little embarrassing to me, but I really believe there are things which nobody would see unless I photographed them.
Diane ArbusIf you scrutinize reality closely enough, if in some way you really, really get to it, it becomes fantastic.
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