There is never any ending to Paris, and the memory of each person who has lived in it differs from that of any other. Paris was always worth it, and you received return for whatever you brought to it…

Ernest Hemingway


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No. Have it here where it is quiet." "You and your quiet", said Brett. "What is it men feel about quiet?" "We like it," said the count. Like you like your noise, my dear.

Ernest Hemingway

Mots clés gender quiet noise



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All art is only done by the individual. The individual is all you ever have and all schools only serve to classify their members as failures.

Ernest Hemingway


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I obscenity in the milk of my shame.

Ernest Hemingway

Mots clés humor shame



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We are governed by what you find in the bottom of dead beer glasses that whores have dunked their cigarettes in. The place has not even been swept out yet and they have an amateur pianist beating on the box

Ernest Hemingway


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If I walked down by different streets to the Jardin du Luxembourg in the afternoon I could walk through the gardens and then go to the Musée du Luxembourg where the great paintings were that have now mostly been transferred to the Louvre and the Jeu de Paume. I went there nearly every day for the Cézannes and to see the Manets and the Monets and the other Impressionists that I had first come to know about in the Art Institute at Chicago. I was learning something from the painting of Cézanne that made writing simple true sentences far from enough to make the stories have the dimensions that I was trying to put in them. I was learning very much from him but I was not articulate enough to explain it to anyone. Besides it was a secret. But if the light was gone in the Luxembourg I would walk up through the gardens and stop in at the studio apartment where Gertrude Stein lived at 27 rue de Fleurus.

Ernest Hemingway

Mots clés paris france ernest-hemingway museums cezanne



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My wife and I had called on Miss Stein, and she and the friend who lived with her had been very cordial and friendly and we had loved the big studio with the great paintings. I t was like one of the best rooms in the finest museum except there was a big fireplace and it was warm and comfortable and they gave you good things to eat and tea and natural distilled liqueurs made from purple plums, yellow plums or wild raspberries.
Miss Stein was very big but not tall and was heavily built like a peasant woman. She had beautiful eyes and a strong German-Jewish face that also could have been Friulano and she reminded me of a northern I talian peasant woman with her clothes, her mobile face and her lovely, thick, alive immigrant hair which she wore put up in the same way she had probably worn it in college. She talked all the time and at first it was about people and places.
Her companion had a very pleasant voice, was small, very dark, with her hair cut like Joan of Arc in the Boutet de Monvel illustrations and had a very hooked nose. She was working on a piece of needlepoint when we first met them and she worked on this and saw to the food and drink and talked to my wife. She made one conversation and listened to two and often interrupted the one she was not making. Afterwards she explained to me that she always talked to the wives. The wives, my wife and I felt, were tolerated. But we liked Miss Stein and her friend, although the friend was frightening. The paintings and the cakes and the eau-de-vie were truly wonderful. They seemed to like us too and treated us as though we were very good, well-mannered and promising children and I felt that they forgave us for being in love and being married - time would fix that - and when my wife invited them to tea, they accepted.

Ernest Hemingway

Mots clés paris france gertrude-stein ernest-hemingway



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Vice is a wonderful thing," Catherine said. "The people who go in for it seem to have good taste about it.

Ernest Hemingway


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The blue-backed notebooks, the two pencils and the pencil sharpener (a pocket knife was too wasteful) the marble-topped tables, the smell of early morning, sweeping out and mopping, and luck were all you needed. For luck you carried a horse chestnut and a rabbit's foot in your right pocket. The fur had been worn off the rabbit's foot long ago and the bones and the sinews were polished by wear. The claws scratched in the lining of your pocket and you knew your luck was still there.

Ernest Hemingway

Mots clés paris france hemingway



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Rudeņos ar skumjām samierinies.

Ernest Hemingway


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