Once she was standing by her locker and her puka shells broke and scattered and she made a joke about it but he could tell she was upset. He wanted to buy her some more. He wanted to give her a million strands of little nesting polished shells, and tropical flowers and ice creams and lemonades and a pale blue surfboard to teach her to surf on and anything else she wanted. Instead he let his checkered Vans step on one of the rolling shells and crush it.
Francesca Lia BlockMots clés jealousy envy jealous envious
She wasn’t crying at all. This was what scared him the most. Where had she locked up the things he’d seen her feeling that day when she heard? She wasn’t that big a girl to hold all of it—to hold her brother’s life and his death inside of her. To hold all his long-limbed raging tidal motion and all the loss of that.
Francesca Lia BlockMots clés loss morning withdrawal holding-back mourn
It was like when we were little kids and we played games on the ivy-covered hillside in the backyard. We were warriors and wizards and angels and high elves and that was our reality. If someone said, Isn’t it cute, look at them playing, we would have smiled back, humoring them, but it wasn’t playing. It was transformation. It was our own world. Our own rules.
Francesca Lia BlockMots clés reality children fantasy childhood playing child games pretend game fantasies fantastic pretending playing-games
West didn’t want her to get hurt anymore. He wanted her to let go. He wanted her to appreciate her life. To know he loved her. All these things sounded so stupid to him when he imagined saying them and he knew she didn’t want to hear them anyway. She wanted to hear one thing.
Francesca Lia BlockWhat did it mean for us? Because everything I did, everything that happened to me, that was what I asked myself - what does this mean for us. It meant that I was farther away from you, different. It meant that if we let ourselves, we could get closer than we had ever been. Disappear into each other. You’d bleed and I wouldn’t. Then we both would.
Francesca Lia BlockHe smells like night-blooming flowers
Crushed, juicy petals on the pillows
His voice is full of ocean
Humming like the surf
He kneels before me like I am his goddess
He is a god
You still cry too easily, but without your tears, at least, everything would burn. You are Spring in your jeans, in the laughing leaves. I think pearls melted over your bones.
Francesca Lia BlockIt’s hard to remember what you fall in love with. Usually it is an expression in the eyes, an exchange, or a gesture or the sound of a voice, a word spoken. Those things can get blended with the atmosphere around you at the time — a fragrance in the air, a play of light, even music — so that they become almost one with each other and when you see or smell or hear the memories of a place you feel the love again, but as a pang of loss. Sometimes the feelings get connected so deeply to your body that even your own skin, your own eyes in the mirror remind you of what you no longer have. Sometimes it only takes a few things for someone to attach the way I did — enough hunger, enough loneliness, enough loss, someone who will feed you and touch you and listen. Sometimes attachment — call it love — is more complex than that. When you are in the state I was in, love can be tied up with other things, like excitement and danger, and the desire to know what really happened, what actually took place.
Francesca Lia BlockWhat time are we upon and where do I belong?
Francesca Lia BlockWeetzie could not even cry and make Kleenex roses. She remembered the day her father, Charlie, had driven away in the smashed yellow T-bird, leaving her mother Brandy-Lynn clutching her flowered robe with one hand and an empty glass in the other, and leaving Weetzie holding her arms crossed over her chest that was taking its time to develope into anything
Francesca Lia BlockMots clés different weird wild cool offbeat ducky witchy
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