Perhaps we ought to feel with more imagination.
As today the sky 70 degrees above zero with lines falling
The way September moves a lace curtain to be near a pear,
The oddest device can't be usual. And that is where
The pejorative sense of fear moves axles. In the stars
There is no longer any peace, emptied like a cup of coffee
Between the blinding rain that interviews.
You were my quintuplets when I decided to leave you
Opening a picture book the pictures were all of grass
Slowly the book was on fire, you the reader
Sitting with specs full of smoke exclaimed
How it was a rhyme for "brick" or "redder."
The next chapter told all about a brook.
You were beginning to see the relation when a tidal wave
Arrived with sinking ships that spelled out "Aladdin."
I thought about the Arab boy in his cave
But the thoughts came faster than advice.
If you knew that snow was a still toboggan in space
The print could rhyme with "fallen star.
Where then shall hope and fear their objects find?
The harbor cold to the mating ships,
And you have lost as you stand by the balcony
With the forest of the sea calm and gray beneath.
A strong impression torn from the descending light
But night is guilty. You knew the shadow
In the trunk was raving
But as you keep growing hungry you forget.
The distant box is open. A sound of grain
Poured over the floor in some eagerness--we
Rise with the night let out of the box of wind.
The Unknown Travelers
Lugged to the gray arbor,
I have climbed this snow-stone on my face,
My stick, but what, snapped the avalanche
The air filled with slowly falling rocks
Breathed in deeply--arrived,
The white room, a table covered
With a towel, mug of ice--fear
Among the legs of a chair, the ashman,
Purple and gray she starts upright in her chair.
Yes, they are alive and can have those colors,
But I, in my soul, am alive too.
I feel I must sing and dance, to tell
Of this in a way, that knowing you may be drawn to me.
And I sing amid despair and isolation
Of the chance to know you, to sing of me
Which are you. You see,
You hold me up to the light in a way
I should never have expected, or suspected, perhaps
Because you always tell me I am you,
And right. The great spruces loom.
I am yours to die with, to desire.
I cannot ever think of me, I desire you
For a room in which the chairs ever
Have their backs turned to the light
Inflicted on the stone and paths, the real trees
That seem to shine at me through a lattice toward you.
If the wild light of this January day is true
I pledge me to be truthful unto you
Whom I cannot ever stop remembering.
Remembering to forgive. Remember to pass beyond you into
the day
On the wings of the secret you will never know.
Taking me from myself, in the path
Which the pastel girth of the day has assigned to me.
I prefer "you" in the plural, I want "you,"
You must come to me, all golden and pale
Like the dew and the air.
And then I start getting this feeling of exaltation.
Ages passed slowly, like a load of hay,
As the flowers recited their lines
And pike stirred at the bottom of the pond.
The pen was cool to the touch.
The staircase swept upward
Through fragmented garlands, keeping the melancholy
Already distilled in letters of the alphabet.
It would be time for winter now, its spun-sugar
Palaces and also lines of care
At the mouth, pink smudges on the forehead and cheeks,
The color once known as "ashes of roses.-"
How many snakes and lizards shed their skins
For time to be passing on like this,
Sinking deeper in the sand as it wound toward
The conclusion. It had all been working so well and now,
Well, it just kind of came apart in the hand
As a change is voiced, sharp
As a fishhook in the throat, and decorative tears flowed
Past us into a basin called infinity.
There was no charge for anything, the gates
Had been left open intentionally.
Don't follow, you can have whatever it is.
And in some room someone examines his youth,
Finds it dry and hollow, porous to the touch...
O keep me with you, unless the outdoors
Embraces both of us, unites us, unless
The birdcatchers put away their twigs,
The fishermen haul in their sleek empty nets
And others become part of the immense crowd
Around this bonfire, a situation
That has come to mean us to us, and the crying
In the leaves is saved, the last silver drops.
Think spring. We do. Slow down.
John AshberyIt was all as it had been,
except for the weight of the present,
that scuttled the pact we made with heaven.
In truth there was no cause for rejoicing,
nor need to turn around, either.
We were lost just by standing,
listening to the hum of wires overhead.
How funny your name would be
if you could follow it back to where
the first person thought of saying it,
naming himself that, or maybe
some other persons thought of it
and named that person. It would
be like following a river to its source,
which would be impossible. Rivers have no source.
They just automatically appear at a place
where they get wider, and soon a real
river comes along, with fish and debris,
regal as you please, and someone
has already given it a name: St. Benno
(saints are popular for this purpose) or, or
some other name, the name of his
long-lost girlfriend, who comes
at long last to impersonate that river,
on a stage, her voice clanking
like its bed, her clothing of sand
and pasted paper, a piece of real technology,
while all along she is thinking, I can
do what I want to do. But I want to stay here.
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