Beauty deprived of its proper foils and adjuncts ceases to be enjoyed as beauty, just as light deprived of all shadows ceases to be enjoyed as light.
John RuskinThe best work never was and never will be done for money.
John RuskinThe highest reward for a man's toil is not what he gets for it but what he becomes by it.
John RuskinMots clés reflective
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No human face is exactly the same in its lines on each side, no leaf perfect in its lobes, no branch in its symmetry. All admit irregularity as they imply change; and to banish imperfection is to destroy expression, to check exertion, to paralyze vitality. All things are literally better, lovelier, and more beloved for the imperfections which have been divinely appointed, that the law of human life may be Effort, and the law of human judgment, Mercy.
John RuskinMots clés judgment mercy expression effort imperfection vitality symmetry asymmetry
You may trust to the truth of my sympathy; but you must remember that I am engaged in the investigation of enormous religious and moral questions, in the history of nations; and that your feelings, or my own, or anybody else's, at any particular moment, are of very little interest to me,--not from want of sympathy, but from the small proportion the individuality bears to the whole subject of my enquiry.
John RuskinAnd now come with me, for I have kept you too long from your gondola: come with me, on an autumnal morning, to a low wharf or quay at the extremity of a canal, with long steps on each side down to the water, which latter we fancy for an instant has become black with stagnation; another glance undeceives us, --it is covered with the black boats of Venice. We enter one of them, rather to try if they be real boats or not, than with any definite purpose, and glide away; at first feeling as if the water were yielding continually beneath the boat and letting her sink into soft vacancy.
John RuskinI believe that the characteristic or moral elements of Gothic are the following, placed in the order of their importance: 1. Savageness; 2. Changefulness; 3. Naturalism; 4. Grotesqueness; 5. Rigidity; 6. Redundance.
John RuskinThe second reason is, that imperfection is in some sort essential to all that we know of life. It is the sign of life in a mortal body, that is to say, of a state of progress and change. Nothing that lives is, or can be, ridgidly perfect; part of it is decaying, part nascent. The foxglove blossom,--a third part bud, a third part past, a third part in full bloom,--is a type of the life of this world. And in all things that live there are certain irregularities and deficiencies which are not only signs of life, but sources of beauty. All admit irregularity as they imply change; and to banish imperfection is to destroy expression, to check exertion, to paralyse vitality.
John Ruskin. . . no good work whatever can be perfect, and the demand for perfection is always a sign of a misunderstanding of the ends of art. . . . no great man ever stops working till he has reached his point of failure: that is to say, his mind is always far in advance of his powers of execution, and the latter will now and then give way in trying to follow it; besides that he will always give to the inferior portions of his work only such inferior attention as they require; and according to his greatness he becomes so accustomed to the feeling of dissatisfaction with the best he can do, that in moments of lassitude or anger with himself he will not care though the beholder be dissatisfied also. I believe there has only been one man who would not acknowledge this necessity, and strove always to reach perfection, Leonardo; the end of his vain effort being merely that he would take ten years to a picture and leave it unfinished. And therefore, if we are to have great men working at all, or less men doing their best, the work will be imperfect, however beautiful. Of human work none but what is bad can be perfect, in its own bad way.
John RuskinMots clés art philosophy
For, truly, the man who does not know when to die, does not know how to live.
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