How sad, how strange, we make companions out of air and hurt them, so they will defy us, completing creation.
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Her hair had been going gray as long as he could remember; she bundled it behind in a bun held with hairpins that he frequently found on the floor when he lived boyishly close to the carpet.
John UpdikeIn that latitude the temperature flirted with a hundred degrees for a few of the dog days, but to a child it can hardly ever be too hot. I liked the sun licking the backs of my legs, and the sweat between my shoulder blades, and the violet evenings, with ice cream and fireflies, wherein the long day slowly cooled. I liked the ants piling up dirt like coffee grounds between the bricks of our front walk, and the milkweed spittle in the vacant lot next door. I liked the freedom of shorts, sneakers, and striped T-shirt, with freckles and a short hot-weather haircut.
We love easily in summer, perhaps, because we love our summer selves.
He doesn't blame people for many sins, but he does hate uncoordination, the root of all evil, as he feels it, for without coordination there can be no order, no connecting.
John UpdikeMots clés sin 1981 rabbit-angstrom janice-springer
He showed the world what can be done against the odds, against a superpower. He showed -- and this is where Vietnam and Iraq come in, that in a war between an imperialist occupier and the people who actually live there, the people will eventually prevail. They know the terrain. They have more at stake. They have nowhere else to go.
John UpdikeI like middles. . . It is in middles that extremes clash, where ambiguity restlessly rules.
John UpdikeAtrocity is truly emperor; All things that thrive are slaves of cruel Creation.
John UpdikeMots clés life
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My first thought, as a child, was that the artist brings something into the world that didn't exist before, and that he does it without destroying something else. A kind of refutation of the conservation of matter. That still seems to me its central magic, its core of joy.
John UpdikeMots clés art writing creativity artist
Nadie nos pertenece, salvo en el recuerdo.
John UpdikeMots clés love
Heade’s calm is unsteady, storm-stirred; we respond in our era to its hint of the nervous and the fearful. His weather is interior weather, in a sense, and he perhaps was, if far from the first to portray a modern mood, an ambivalent mood tinged with dread and yet imbued with a certain lightness.The mood could even be said to be religious: not an aggressive preachment of God’s grandeur but a kind of Zen poise and acceptance, represented by the small sedentary or plodding foreground figures that appear uncannily at peace as the clouds blacken and the lightning flashes.
John UpdikeMots clés art american-art martin-johnson-heade
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