That was the danger. Not that betrayals happened, not that cruel things happened, but that they could outweigh all the good. That we could forget the good and only remember the bad.
Louise PennyMots clés memory
Why be a saint unless you could also be a martyr?
Louise PennyHe'd shoved his toque and mitts into the sleeve of his parka when he'd come in the night before, and now, thrusting his right arm into the armhole, he hit the blockage. At a practiced shove the pompom of the toque crowned the cuff followed by his mitts, like a tiny birth.
Louise PennyHer voice was slightly accented but her French was perfect. Someone who'd not just learned the language but loved it. And it showed with every syllable. Gamache knew it was impossible to split language from culture. That without one the other withered. To love the language was to respect the culture.
Louise PennyMots clés love-of-language
I don't know what came over me. It's like sometimes when it's very quiet I feel like screaming. And sometimes when I'm holding something delicate I feel like dropping it. I don't know why.
Louise PennyThey'd crossed over to that continent where grieving parents lived. It looked the same as the rest of the world, but wasn't. Colors bled pale. Music was just notes. Books no longer transported or comforted, not fully. Never again. Food was nutrition, little more. Breaths were sighs. And they knew something the rest didn't. They knew how lucky the rest of the world was.
Louise PennyMots clés grief
Eventually he'd let the answering machine take over and had hidden in his studio. Where he's hidden all his life. From the monster.
He could feel itin their bedroom now. He could feel its tail swishing by him. Feel its hot, fetid breath.
All his life he knew if he was quiet enough, small enough, it wouldnn't see him. If he didn't make a fuss, didn't speak up, it wouldn't hear him, wouldn't hurt him. If he was beyond criticism and hid his cruelty with a smile and good deeds, it wouldn't devour him.
By now he realized there was no hiding. It would always be there, and always find him.
He was the monster.
Mots clés fear
I just sit where I'm put, composed
of stone and wishful thinking:
that the deity who kills for pleasure
will also heal,
that in the midst of your nightmare,
the final one, a kind lion
will come with bandages in her mouth
and the soft body of a woman,
and lick you clean of fever,
and pick your soul up gently by the nape of the neck
and caress you into darkness and paradise.
Mots clés poem
Gamache watched the old poet. He knew what was looming behind the Mountain. What crushed all before it. The thing the Hermit most feared. The Mountain most feared.
Conscience.
...
Which is why, Gamache knew, it was vital to be aware of actions in the present. Because the present became the past, and the past grew. And got up, and followed you.
And found you ...
Who wouldn't be afraid of this?
Mots clés fear conscience actions
All my works have vessels of some sort. Containers. Sometimes it's in the negative space, sometimes it's more obvious ...
He's very loyal. He puts everything he has into one thing. one interest, one hobby, one friend, one love. I'm his love and it scares the shit out of me ... He's poured all his love into me. I'm his vessel. But suppose I crack? Suppose I break? Suppose I die? What would he do?
« ; premier précédent
Page 4 de 9.
suivant dernier » ;
Data privacy
Imprint
Contact
Diese Website verwendet Cookies, um Ihnen die bestmögliche Funktionalität bieten zu können.