Marius’s A Midsummer Night’s Dream will close the season for us, and it’s a world premiere, so there will be much fanfare, for the handful of people still interested in these things. I think he’s done a fantastic job with it, but there are a host of problems with turning complicated stories into ballets. (Romeo and Juliet would be an exception. I would argue that the ballet is better than the play. If you disagree, it’s only because you’ve never seen the balcony scene pas de deux or you are made of igneous rock.)
There are some obvious things that shouldn’t be made into ballets, like the life of Louis B. Pasteur or shark attacks. But a tale of warring fairies and love potions gone awry seems like it would be an easy match. Unfortunately, any story ballet is going to need pantomime and require acting, and here’s where we run into trouble. You try coming up with a very clear and specific gesture that indicates “Hey, why don’t you sprinkle the juice of that flower into the eyeballs of these characters” or “I’m really attached to this changeling child and you can’t have him” and you will see what I mean.

Meg Howrey

Aller à la citation

---

There are Russians, and then there are Russian ballerinas from the Kirov.

Meg Howrey

Aller à la citation

---

« ; premier précédent
Page 3 de 3.

---

---