Some words may make you happy, some may make you said. Maybe some will make you angry. What I hope. . . what I hope is that something will whisper in your ear.
Patricia MacLachlanMots clés writing-life
You will have a story in there. . . or a character, a place, a poem, a moment in time. When you find it, you will write it. Word after word after word after word.
Patricia MacLachlanMots clés writing-from-the-heart
This is important to writing. . . that is, it is important to my own writing. This. . . is landscape! Mine. This dirt came from the prairie where I was a child. I played in it, dug in it, planted in it, and walked over it. It is where I began. And all my writing begins with a landscape such as this. A place.
Patricia MacLachlanMots clés writing-craft
Sadness is
Steam rising
Tears falling
A breath you take in
But can't let out
As hard as you try.
I sing the songs I sang to you every night.
I sing them
so I will remember you,
hoping that you will remember me too,
even though I am here,
and you are there.
Melinda Pratt rides city bus number twelve to her cello lesson, wearing her mother's jean jacket and only one sock. Hallo, world, says Minna. Minna often addresses the world, sometimes silently, sometimes out loud. Bus number twelve is her favorite place for watching, inside and out. The bus passes cars and bicycles and people walking dogs. It passes store windows, and every so often Minna sees her face reflection, two dark eyes in a face as pale as a winter dawn. There are fourteen people on the bus today. Minna stands up to count them. She likes to count people, telephone poles, hats, umbrellas, and, lately, earrings. One girl, sitting directly in front of Minna, has seven earrings, five in one ear. She has wisps of dyed green hair that lie like forsythia buds against her neck.
There are, Minna knows, a king, a past president of the United States, and a beauty queen on the bus. Minna can tell by looking. The king yawns and scratches his ear with his little finger. Scratches, not picks. The beauty queen sleeps, her mouth open, her hair the color of tomatoes not yet ripe. The past preside of the United States reads Teen Love and Body Builder's Annual.
Next to Minna, leaning against the seat, is her cello in its zippered canvas case. Next to her cello is her younger brother, McGrew, who is humming. McGrew always hums. Sometimes he hums sentences, though most often it comes out like singing. McGrew's teachers do not enjoy McGrew answering questions in hums or song. Neither does the school principal, Mr. Ripley. McGrew spends lots of time sitting on the bench outside Mr. Ripley's office, humming.
Today McGrew is humming the newspaper. First the headlines, then the sports section, then the comics. McGrew only laughs at the headlines.
Minna smiles at her brother. He is small and stocky and compact like a suitcase. Minna loves him. McGrew always tells the truth, even when he shouldn't. He is kind. And he lends Minna money from the coffee jar he keeps beneath his mattress.
Minna looks out the bus window and thinks about her life. Her one life. She likes artichokes and blue fingernail polish and Mozart played too fast. She loves baseball, and the month of March because no one else much likes March, and every shade of brown she has ever seen. But this is only one life. Someday, she knows, she will have another life. A better one. McGrew knows this, too. McGrew is ten years old. He knows nearly everything. He knows, for instance, that his older sister, Minna Pratt, age eleven, is sitting patiently next to her cello waiting to be a woman.
My greatest fear is being somewhere without a book.
Patricia MacLachlanMots clés books-reading
...there are some things for which there are no answers, no matter how beautiful the words may be.
Patricia MacLachlanMots clés words beauty answers
Sometimes poetry--words--give us a small, lovely look at ourselves. And sometimes that is enough.
Patricia MacLachlanMots clés words poetry glimpse
There are always things to miss," said Maggie. "No matter where you are.
Patricia MacLachlanMots clés missing
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