Iba a contaros algo -empezó Mel-. Bueno, iba a demostrar algo. Veréis: sucedió hace unos meses, pero sigue sucediendo en este mismo instante, y es algo que debería hacer que nos avergoncemos cuando hablamos como si supiéramos de qué hablamos cuando hablamos de amor.
Raymond CarverMots clés love
All this, all of this love we're talking about, it would just be a memory. Maybe not even a memory. Am I wrong? Am I way off base? Because I want you to set me straight if you think I'm wrong. I want to know. I mean, I don't know anything, and I'm the first one to admit it.
Raymond CarverMots clés love
Well, the husband was very depressed for the longest while. Even after he found out that his wife was going to pull through, he was still very depressed. Not about the accident, though. I mean, the accident was one thing, but it wasn't everything. I'd get up to his mouth-hole, you know, and he'd say no, it wasn't the accident exactly but it was because he couldn't see her through his eye-holes. He said that was what was making him feel bad. Can you imagine? I'm telling you, the man's heart was breaking because he couldn't turn his goddamn head and see his goddamn wife.
Raymond CarverLa chose dont je parle ici a une parenté avec le style, mais ne se ramène pas au seul style. C'est la griffe particulière et reconnaissable entre toutes qu'un écrivain appose à tout ce qu'il écrit. Ce n'est pas le talent. Le talent, ça court les rues. Mais un écrivain qui a une façon spéciale de voir les choses et qui donne une forme artistique à cette manière de voir est un écrivain qui a des chances de durer.
Raymond CarverAnd what did you want? To call myself beloved, to feel myself beloved on the earth.
Raymond CarverA man without hands came to the door to sell me a photograph of my house. Except for the chrome hooks, he was an ordinary-looking man of fifty or so.
Raymond CarverMots clés carver hooks no-hands viewfinder
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If we're lucky, writer and reader alike, we'll finish the last line or two of a short story and then just sit for a minute, quietly. Ideally, we'll ponder what we've just written or read; maybe our hearts or intellects will have been moved off the peg just a little from where they were before. Our body temperature will have gone up, or down, by a degree. Then, breathing evenly and steadily once more, we'll collect ourselves, writers and readers alike, get up, "created of warm blood and nerves" as a Chekhov character puts it, and go on to the next thing: Life. Always life.
Raymond CarverMots clés reading writing thought short-stories
Close your eyes now,' the blind man said to me. I did it. I closed them just like he said.
'Are they closed?' he said. 'Don't fudge.'
'They're closed,' I said.
'Keep them that way,' he said. He said, 'Don't stop now. Draw.'
So we kept on with it. His fingers rode my fingers as my hand went over the paper. It was like nothing else in my life up to now.
Then he said, 'I think that's it. I think you got it,' he said. 'Take a look. What do you think?'
But I had my eyes closed. I thought I'd keep them that way for a little longer. I thought it was something I ought to do.
'Well?" he said. 'Are you looking?'
My eyes were still closed. I was in my house. I knew that. But I didn't feel like I was inside anything.
'It's really something,' I said.
I want to hide from it, that’s what I want to do. I want to just close my eyes and let it pass by. Let it take the next man.
Raymond CarverA man can go along obeying all the rules and then it don’t matter a damn anymore.
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