Do you realize how angry you sound?” must be one of the most infuriating questions in the language.
Renata AdlerMany people, particularly children, have had poison ivy very often, very badly. They speak of it. They do not forget it. But there is an outer limit, a kind that passes any question of degree. Those who have utterly had it instantly recognize each other—like the Jews and homosexuals in Proust. It has no dignity whatever. There are no poison-ivy heroes…
There are other such cabals, reverse elites of outer limit, junkies, sufferers from migraines, the truly seasick, soldiers’ fear in wartime, certain cramps.Many people suffer from cramps severely, turn quite silent, green, and shaky. Someone offers them a glass of gin. But there are cramps of an entirely other order, when even hardened doctors—knowing it is not important, only temporary, just a matter of hours—reach for the Demerol and the needle. It must be so in each lonely degrading thing from which one comes back having learned nothing whatever. There are no conclusions to be drawn from it. Lonely people see double entendres everywhere.
Self-pity” is just sadness, I think, in the pejorative.
Renata AdlerGuts,” never much of a word outside the hunting season, was a favorite noun in literary prose. People were said to have or to lack them, to perceive beauty and make moral distinctions in no other place. “Gut-busting” and “gut-wrenching” were accolades. “Nerve-shattering,” “eye-popping,” “bone-crunching”—the responsive critic was a crushed, impaled, electrocuted man. “Searing” was lukewarm. Anything merely spraining or tooth-extracting would have been only a minor masterpiece. “Literally,” in every single case, meant figuratively; that is, not literally. This film will literally grab you by the throat. This book will literally knock you out of your chair…
Sometimes the assault mode took the form of peremptory orders. See it. Read it. Go at once…Many sentences carried with them their own congratulations, Suffice it to say…or, The only word for it is…Whether it really sufficed to say, or whether there was, in fact, another word, the sentence, bowing and applauding to itself, ignored…There existed also an economical device, the inverted-comma sneer—the “plot,” or his “work,” or even “brave.” A word in quotation marks carried a somehow unarguable derision, like “so-called” or “alleged…”
“He has suffered enough” meant if we investigate this matter any further, it will turn out our friends are in it, too…
Murders, generally, were called brutal and senseless slayings, to distinguish them from all other murders; nouns thus became glued to adjectives, in series, which gave an appearance of shoring them up…
Intelligent people, caught at anything, denied it. Faced with evidence of having denied it falsely, people said they had not done it and had not lied about it, and didn’t remember it, but if they had done it or lied about it, they would have done it and misspoken themselves about it in an interest so much higher as to alter the nature of doing and lying altogether. It was in the interest of absolutely nobody to get to the bottom of anything whatever. People were no longer “caught” in the old sense on which most people could agree. Induction, detection, the very thrillers everyone was reading were obsolete. The jig was never up. In every city, at the same time, therapists earned their living by saying, “You’re being too hard on yourself.
Mots clés loss-of-meaning
…a kind of Calvinist in reverse; that is, he was uncompromisingly bohemian
Renata AdlerMots clés pretension bohemianism
I love the laconic. Clearly, I am not of their number.
Renata Adler…the particular consequence of his moral vanity was that when he did people an injury, he never forgave them. Never again.
Renata AdlerThe salesgirl, the landlord, the guests, the bystanders, sixteen varieties of social circumstance in a day. Everyone has the power to call your whole life into question here. Too many people have access to your state of mind. Some people are indifferent to dislike, even relish it. Hardly anyone I know.
Renata AdlerMots clés new-york-city social-interaction
The pressures were wrong. There was just enough money and not enough time.
Renata AdlerMots clés money art time pressure
What is the point. That is what must be borne in mind. Sometimes the point is really who wants what. Sometimes the point is what is right or kind. Sometimes the point is a momentum, a fact, a quality, a voice, an imitation, a thing that is said or unsaid. Sometimes it's who's at fault, or what will happen if you do not move at once. The point changes and goes out. You cannot be forever watching for the point, or you lose the simplest thing: being a major character in your own life. But if you are, for any length of time, custodian of the point-- in art, in court, in politics, in lives, in rooms-- it turns out there are rear-guard actions everywhere. To see a thing clearly, and when your vision of it dims, or when it goes to someone else, if you have a gentle nature, keep your silence, that is lovely. Otherwise, now and then, a small foray is worthwhile. Just so that being always, complacently, thoroughly wrong does not become the safest position of them all. The point has never quite been entrusted to me.
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