فالشكل يتراءى معلقا أمام الأنظار وكأنه موضوع . وهو مستنكر كيفما كان إن كان فخما بدا زيا قديما وإن كان فوضويا بدا غير إجتماعي ومتميزا بالنسبة إلى العصر أو الناس وعلى أي وجه بدا فهو عزلة
Roland Barthesالأدب مثل الفوسفور يكون أكثر لمعانا لحظة موته
Roland Barthesاللغة بطبيعتها تميل إلى تدمير ذاتها
Roland Barthesالرواية موت , وهي تجعل من الحياة قدرا , ومن الذكرى فعلا مفيدا , ومن الديمومة زمنا موجها له دلالة
Roland BarthesWe often hear it said that it is the task of art to express the inexpressible: it is contrary which must be said (with no intention of paradox): the whole task of art is to unexpress the expressible, to kidnap from the world's language, which is the poor and powerful language of the passion, another speech, an exact speech.
Roland BarthesLa tautologie. Oui, je sais, le mot n'est pas beau. Mais la chose est fort laide aussi.
Roland BarthesLove at first sight is a hypnosis: I am fascinated by an image: at first shaken, electrified, stunned, "paralysed" as Menon was by Socrates, the model of loved objects, of captivating images, or again converted by an apparition, nothing distinguishing the path of enamoration from the Road to Damascus; subsequently ensnared, held fast, immobilised, nose stuck to the image (the mirror). In that moment when the other's image comes to ravish me for the first time, I am nothing more than the Jesuit Athanasius Kirchner's wonderful Hen: feet tied, the hen went to sleep with her eyes fixed on the chalk line, which was traced not far from her beak; when she was untied, she remained motionless, fascinated, "submitting to her vanquisher," as the Jesuit says (1646); yet, to waken her from her enchantment, to break off the violence of her Image-repertoire (vehemens animalis imaginatio), it was enough to tap her on the wing; she shook herself and began pecking in the dust again.
Roland BarthesMots clés love-at-first-sight athanasius-kircher-s-hen road-to-damascus vehemens-animalis-imaginato
We know that to give writing its future, it is necessary to overthrow the myth: the birth of the reader must be at the cost of the death of the Author.
Roland BarthesValéry used to speak of those people who die in an accident because they are unwilling to let go of their umbrellas; how many subjects repressed, refracted, blinded as to their true sexuality, because they are unwilling to let go of a stereotype.
Roland BarthesMots clés life happiness stereotypes
What right does my present have to speak of my past? Has my present some advantage over my past? What "grace" might have enlightened me? except that of passing time, or of a good cause, encountered on my way?
Roland BarthesMots clés past present time memory biography
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