Los libros son la magia más portátil que existe.
Stephen KingYou could not turn off love- even the rather absent, sometimes taken for granted love- the way you'd turn off a faucet. Love ran from the heart and the heart had it's own imperatives
Stephen KingMots clés love
I want to make you laugh or cry when you read a story . . .or do both at the same time. I want your heart, in other words. If you want to learn something, go to school.
Stephen KingMots clés writing-from-the-heart
Shadows were too black, and when a breeze stirred the trees, the shadows changed in a disquieting way.
Stephen KingMots clés dark atmospheric eerie
Almost everyone can remember losing his or her virginity, and most writers can remember the first book he/she walked away from thinking, "I can do better that this. Hell, I am doing better than this!" What could be more encouraging to the struggling writer than to realize that his/her work is unquestionably better than that of someone who actually got paid for his/her stuff? Good writing on the other hand, teaches the learning writer about style, graceful narration, plot development, the creation of believable characters, and truth-telling. A novel like The Grapes of Wrath may fill a new writer with feelings of despair and good old-fashioned jealousy--"I'll never be able to write anything that good, not if I live to be a thousand"--but such feelings can also serve as a spur, goading the writer to work harder and aim higher. Being swept away by a combination of great story and great writing--of being flattened, in fact--is part of every writer's necessary formation. You cannot hope to sweep someone else away by the force of your writing until it has been done to you. So we read to experience the mediocre and the outright rotten; such experience helps us to recognize those things when they begin to creep into our own work, and to steer clear of them. We also read in order to measure ourselves against the good and the great, to get a sense of all that can be done. And we read in order to experience different styles.
Stephen KingMots clés on-writing
Write with the door closed, rewrite with the door open. Your stuff starts out being just for you, in other words, but then it goes out. Once you know what the story is and get it right — as right as you can, anyway — it belongs to anyone who wants to read it. Or criticize it.
Stephen KingMots clés writing stephen-king critique
And, you know, I hope you have some fun with this book. Nosh and nibble at the corners or read the mother straight through, but enjoy. That's what it's for, as much as any of the novels. Maybe there will be something here to make you think or make you laugh or just make you mad. Any of those reactions would please me. Boredom, however, would be a bummer.
Stephen KingAs I believe I have said, everyone in prison is an innocent man. Oh, they read the scripture the way those holy rollers on TV read the Book of Revelations. They were the victims of judges with hearts of stone and balls to match, or incompetent lawyers, or police frame-ups, or bad luck. They read the scripture, but you can see a different scripture in their faces. Most cons are a low sort, no good to themselves or anyone else, and their worst luck was that their mothers carried them to term.
Stephen KingMots clés prisoners
Language does not always have to wear a tie and lace-up shoes. The object of fiction isn't grammatical correctness but to make the reader welcome and then tell a story … to make him/her forget, whenever possible, that he/she is reading a story at all.
Stephen KingMots clés writing-advice
The world had moved on and all that was over, done before fairly begun.
Stephen KingMots clés life love time life-lessons time-passing
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