Games such as Mass Effect allow the gamer a freedom of decision that can be evilly enlivening or nobly self-congratulating, but these games become uniquely compelling when they force you to the edge of some drawn, real-life line of intellectual or moral obligation that, to your mild astonishment, you find you cannot step across even in what is, essentially, a digital dollhouse for adults. Other mediums may depict the necessary (or foolhardy) breaches of such lines, or their foolhardy (or necessary) protection, but only games actually push you to the line's edge and make you live with the fictional consequences of your choice.

Tom Bissell


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...the video-game form is incompatible with traditional concepts of narrative progression. Stories are about time passing and narrative progression. Games are about challenge, which frustrates the passing of time and impedes narrative progression. The story force wants to go forward and the "friction force" of challenge tries to hold story back. This is the conflict at the heart of the narrative game, one that game designers have thus far imperfectly addressed by making story the reward of a successfully met challenge.

Tom Bissell


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I have had moderately meaningful relationships in which I invested less time than what I have spent on some BioWare games.

Tom Bissell


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What needs to be reinforced is the idea that good writing - solid, honest, entertaining, beautiful good writing - is simultaneously the reward, the challenge, and the goal.

Tom Bissell


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An artist can respect the backfield of fact before which every human being stands and choose not to address those facts.

Tom Bissell

Mots clés art history facts



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Of that time, there is still much we do not know.

Tom Bissell

Mots clés past history



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Many shooters ask the gamer to use violence against pure, unambiguous evil: monsters, Nazis, corporate goons, aliens of Ottoman territorial ambition. Yet these shooters typically have nothing to say about evil and violence, other than that evil is evil and violence is violent. This was never the most promising thematic carbon to trace, and yet shooters keep doing so with as little self-questioning as a medieval monk copying out scripture.

Tom Bissell


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