We are asleep with compasses in our hands.
W.S. MerwinFor a Coming Extinction
Gray whale
Now that we are sending you to The End
That great god
Tell him
That we who follow you invented forgiveness
And forgive nothing
I write as though you could understand
And I could say it
One must always pretend something
Among the dying
When you have left the seas nodding on their stalks
Empty of you
Tell him that we were made
On another day
The bewilderment will diminish like an echo
Winding along your inner mountains
Unheard by us
And find its way out
Leaving behind it the future
Dead
And ours
When you will not see again
The whale calves trying the light
Consider what you will find in the black garden
And its court
The sea cows the Great Auks the gorillas
The irreplaceable hosts ranged countless
And fore-ordaining as stars
Our sacrifices
Join your word to theirs
Tell him
That it is we who are important
Inside this pencil
crouch words that have never been written
never been spoken
never been taught
they’re hiding
they’re awake in there
dark in the dark
hearing us
but they won’t come out
not for love not for time not for fire
even when the dark has worn away
they’ll still be there
hiding in the air
multitudes in days to come may walk through them
breathe them
be none the wiser
what script can it be
that they won’t unroll
in what language
would I recognize it
would I be able to follow it
to make out the real names
of everything
maybe there aren’t
many
it could be that there’s only one word
and it’s all we need
it’s here in this pencil
every pencil in the world
is like this
I offer you what I have my
Poverty
Mots clés poetry poets-laureate the-way-to-the-river
We begin to say something that cannot be said. When you see on the front page a woman in Iraq who's just seen her husband blown up, you see her there, her mouth wide open, you know the sound coming out of her, a howl of grief and pain -- that's the beginning of language.
Trying to express that, it's inexpressible, and poetry is really to say what can't be said. And that's why people turn to it in these moments. They don't know how to say this, [but] part of them feels that maybe a poem will say it. It won't say it, but it'll come closer to saying it than anything else will.
I think there are always two sides, and one of them is the unsayable. The utterly singular. Who you are; who you can never tell anybody. And on the other hand, there is what you can express. How do we know about this thing we talk about? Because we talk about it. We're using words. And the words never say it, but the words are all we have to say it.
What you remember saves you.
W.S. MerwinMots clés salvation memories remembrance
A BIRTHDAY
Something continues and I don't know what to call it
though the language is full of suggestions
in the way of language
but they are all anonymous
and it's almost your birthday music next to my bones
these nights we hear the horses running in the rain
it stops and the moon comes out and we are still here
the leaks in the roof go on dripping after the rain has passed
smell of ginger flowers slips through the dark house
down near the sea the slow heart of the beacon flashes
the long way to you is still tied to me but it brought me to you
I keep wanting to give you what is already yours
it is the morning of the mornings together
breath of summer oh my found one
the sleep in the same current and each waking to you
when I open my eyes you are what I wanted to see.
Obviously a garden is not the wilderness but an assembly of shapes, most of them living, that owes some share of its composition, it’s appearance, to human design and effort, human conventions and convenience, and the human pursuit of that elusive, indefinable harmony that we call beauty. It has a life of its own, an intricate, willful, secret life, as any gardener knows. It is only the humans in it who think of it as a garden. But a garden is a relationship, which is one of the countless reasons why it is never finished.
W.S. Merwin...The silence of a place where there were once horses
is a mountain
and I have seen by lightning that ever mountain
once fell from the air
ringing
like the chime of an iron shoe...
Utterance"
Sitting over words
Very late I have heard a kind of whispered sighing
Not far
Like a night wind in pines or like the sea in the dark
The echo of everything that has ever
Been spoken
Still spinning its one syllable
Between the earth and silence
Mots clés poetry
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