...The efficacy of psychedelics with regard to art has to do with their ability to render language weightless, as fluid and ephemeral as those famous "bubble letters" of the sixties. Psychedelics, I think, disconnect both the signifier and the signified from their purported referents in the phenomenal world - simultaneously bestowing upon us a visceral insight into the cultural mechanics of language, and a terrifying inference of the tumultuous nature that swirls beyond it. In my own experience, it always seemed as if language were a tablecloth positioned neatly upon the table until some celestial busboy suddenly shook it out, fluttering and floating it, and letting it fall back upon the world in not quite the same position as before - thereby giving me a vertiginous glimpse into the abyss that divides the world from our knowing of it. And it is into this abyss that the horror vacui of psychedelic art deploys itself like an incandescent bridge. Because it is one thing to believe, on theoretical evidence, that we live in a prison-house of language. It is quite another to know it, to actually peek into the slippery emptiness as the Bastille explodes around you. Yet psychedelic art takes this apparent occasion for despair and celebrates our escape from linguistic control by flowing out, filling that rippling void with meaningful light, laughter, and a gorgeous profusion.
Dave Hickey...There are issues worth advancing in images worth admiring; and the truth is never "plain," nor appearances ever "sincere." To try to make them so is to neutralize the primary, gorgeous eccentricity of imagery in Western culture since the Reformation: the fact that it cannot be trusted, that imagery is always presumed to be proposing something contestable and controversial. This is the sheer, ebullient, slithering, dangerous fun of it. No image is presumed inviolable in our dance hall of visual politics, and all images are potentially powerful.
Dave HickeyThere must always be two kinds of art: escape-art, for man needs escape as he needs food and deep sleep, and parable-art, that art which shall teach man to unlearn hatred and learn love.
W.H. AudenThere's a point at which when I start to know a man well--this isn't true of women--I wonder whether there's something in him that's evil. Something that's pure and can't be touched. This quality of evil may be related to the quality of artistry, for an artist has the same characteristics.
Kathy AckerDon't make it new; make it whole.
Alex RossThere’s something about being naïve. Really interesting things come because you don’t know what the rules are, what you can and can’t do.
Steve BuscemiArt is the process of evoking pity and terror, which is not abstract at all but very human. What the self-styled modern artists are doing is a sort of unemotional pseudointellectual masturbation . . . whereas creative art is more like intercourse, in which the artist must seduce -- render emotional -- his audience, each time.
Robert A. HeinleinMots clés art
True alchemy lies in this formula: ‘Your memory and your senses are but the nourishment of your creative impulse’.
Arthur RimbaudMots clés art writing creativity
The best literature is always a take [in the musical sense]; there is an implicit risk in its execution, a margin of danger that is the pleasure of the flight, of the love, carrying with it a tangible loss but also a total engagement that, on another level, lends the theater its unparalleled imperfection faced with the perfection of film.
I don’t want to write anything but takes.
Mots clés art writing literature creativity
So there were two worlds: the perceived world, a dimension of adjectives, equations and brush strokes, a surface dazzling with our efforts to render it, but ultimately bearing only our own reflections; and the impenetrable world, the plumbless dark full of latent particles, the primordial cauldron which, like a mother, gives us our being but is a lifelong riddle.
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