If you don't like the path your life has taken, choose another.

Robert G. DeMers

Mots clés murder mystery detective-fiction



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He began as a minor imitator of Fitzgerald, wrote a novel in the late twenties which won a prize, became dissatisfied with his work, stopped writing for a period of years. When he came back it was to BLACK MASK and the other detective magazines with a curious and terrible fiction which had never been seen before in the genre markets; Hart Crane and certainly Hemingway were writing of people on the edge of their emotions and their possibility but the genre mystery markets were filled with characters whose pain was circumstantial, whose resolution was through action; Woolrich's gallery was of those so damaged that their lives could only be seen as vast anticlimax to central and terrible events which had occurred long before the incidents of the story. Hammett and his great disciple, Chandler, had verged toward this more than a little, there is no minimizing the depth of their contribution to the mystery and to literature but Hammett and Chandler were still working within the devices of their category: detectives confronted problems and solved (or more commonly failed to solve) them, evil was generalized but had at least specific manifestations: Woolrich went far out on the edge. His characters killed, were killed, witnessed murder, attempted to solve it but the events were peripheral to the central circumstances. What I am trying to say, perhaps, is that Hammett and Chandler wrote of death but the novels and short stories of Woolrich *were* death. In all of its delicacy and grace, its fragile beauty as well as its finality.

Most of his plots made no objective sense. Woolrich was writing at the cutting edge of his time. Twenty years later his vision would attract a Truffaut whose own influences had been the philosophy of Sartre, the French nouvelle vague, the central conception that nothing really mattered. At all. But the suffering. Ah, that mattered; that mattered quite a bit.

Barry N. Malzberg

Mots clés f-scott-fitzgerald mystery crime detective noir crime-fiction detectives detective-stories hart-crane raymond-chandler detective-noir ernest-hemingway dashiel-hammett sartre mystery-suspense detective-fiction crime-thriller jean-paul-sartre mystery-thriller detective-novels mystery-and-crime-drama cornell-woolrich noir-fiction detective-novel francois-truffaut françois-truffaut truffaut



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Al Hickey: It's not about anything.
Frank Boggs: Yeah, it's about four hundred grand

Phillip Rock

Mots clés crime-fiction detective-fiction



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Al Hickey: [following the final shootout] Nobody came... nobody cares. It's still not about anything.
Frank Boggs: Yeah, you told me.

Phillip Rock

Mots clés detective-fiction



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I will only write the novel, if I can solve the crime

Andrew Hixson

Mots clés detective-fiction



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Now that we can buy anything we want we seem to read detective stories.

Elizabeth Savage

Mots clés humor detective-stories detective-fiction



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When a man writes on a wall, his instinct leads him to write above the level of his own eyes.

Arthur Conan Doyle

Mots clés interesting detective-fiction informative



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