I think I can say without fear of inaccuracy that description is my strong point. Possibly this fact is central to my feeling excluded and so on in what might be called “the scene.” There appears to be a particular divide in literature that has “description” and all it implies, as its focus. Some people hate “fancy writing,” and just want to “cut to the chase,” and so on. This attitude deeply irritates me. If you can’t try and take words to their limit in the field of literature, then where can you? I actually think that variety is good, but it’s usually the enemies of “fancy writing” who also seem to deplore variety and believe that there’s only one way to write—without adverbs etc. etc.
Quentin S. CrispMots clés interview
Who is better off? The one who writes to revel in the voluptuousness of the life that surrounds them? Or the one who writes to escape the tediousness of that which awaits them outside? Whose flame will last longer?
Roman PayneMots clés books writing writers interview heroism writer escape publishing flame roman novelist heroic roman-payne novel-writing author-interview tediousness voluptuousness
I am not gay, although I wish I were, just to piss off homophobes.
Kurt CobainMots clés interview 1993 the-advocate
There is a marvelous peace in not publishing ... I like to write. I love to write. But I write just for myself and my own pleasure.
J.D. SalingerThe point of art is not to give you what you already feel comfortable with; that’s reporting, not art, that TV, not art, that’s magaziney art, not art. Art gives you so personal an interpretation that it compels you to say, “This here is more real than what I know is really out there.
André AcimanMots clés interview aciman quarterly-conversation
The reason why the book begins with the wish to “play back” how the two met is precisely to see if repeating the scenario might tell the narrator why he is so thoroughly smitten, to play with the scenario all over again, perhaps to master it, as Freud says about repetition. But there cannot be a “reason.” An attraction that needs a reason is not a reason the heart or the body cares much about.
André AcimanMots clés interview aciman quarterly-conversation
Edward Smith: What do you think is the characteristic of a really nice person? Some people you obviously do like more than others.
Andy Warhol: Ummm, well, if they talk a lot.
ES: What, and don't make you talk?
AW: Yeah, yes, that's a really nice person.
Mots clés interview radio bbc edward-smith
Q: Where and when do you do your writing?
A: Any small room with no natural light will do. As for when, I have no particular schedules... afternoons are best, but I'm too lethargic for any real regime. When I'm in the flow of something I can do a regular 9 to 5; when I don't know where I'm going with an idea, I'm lucky if I do two hours of productive work. There is nothing more off-putting to a would-be novelist to hear about how so-and-so wakes up at four in the a.m, walks the dog, drinks three liters of black coffee and then writes 3,000 words a day, or that some other asshole only works half an hour every two weeks, does fifty press-ups and stands on his head before and after the "creative moment." I remember reading that kind of stuff in profiles like this and becoming convinced everything I was doing was wrong. What's the American phrase? If it ain't broke...
Mots clés writing interview writing-life bold-type-magazine
What girl doesn't love the tortured bad boy? I think when it comes to bad boys, girls/women have this desire to step forward and try to rescue that sort of individual. It is very appealing to the nurturer inside us I think."
- author Lacey Weatherford during an interview on whether she was a bad boy kinda girl
Mots clés interview bad-boys lacey-weatherford
Your hair is still wet!
Justin Bieber« ; premier précédent
Page 2 de 10.
suivant dernier » ;
Data privacy
Imprint
Contact
Diese Website verwendet Cookies, um Ihnen die bestmögliche Funktionalität bieten zu können.