He said, one has to learn that painting well - in the academic and technical sense - comes right at the bottom of the list. I mean, you've got that ability. So have thousands.

John Fowles

Mots clés art creativity artists skill painting



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Now you are walking in Paris all alone in the crowd

As herds of bellowing buses drive by

Love's anguish tightens your throat

As if you were never to be loved again

If you lived in the old days you would enter a monastery

You are ashamed when you discover yourself reciting a prayer

You make fun of yourself and like the fire of Hell your laughter crackles

The sparks of your laugh gild the depths of your life

It's a painting hanging in a dark museum

And sometimes you go and look at it close up

Guillaume Apollinaire

Mots clés love laughter prayer paris painting laughing city monastery museum crowd praying anguish



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Elle n'avait jamais vraiment aimé les impressionnistes. Elle trouvait qu'ils manquaient d'outrance, de passion. Seul Renoir, parfois, savait traiter un corps de femme avec ce manque de respect qui lui était dû.

Romain Gary

Mots clés respect painting



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I sat back and looked at it. It was ugly, dark, uncontrolled. Like a monster's face. Or maybe what I saw there was my own face. I couldn't quite tell. Was the face the image of something evil or the image of myself?
"Both," Bea muttered, as if I'd spoken my question out loud. "Of course, it's both. But it shouldn't be. Goodness, no.

Jennifer Brown

Mots clés evil self-hatred painting monster self-portrait



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Fortunately for me, I know well enough what I want, and am basically utterly indifferent to the criticism that I work to hurriedly. In answer to that, I have done some things even more hurriedly theses last few days.

Vincent van Gogh

Mots clés art rebellion speed spite painting the-yellow-house



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Painting, by its nature, cannot provide an object of simultaneous collective reception... as film is able to do today... And while efforts have been made to present paintings to the masses in galleries and salons, this mode of reception gives the masses no means of organizing and regulating their response. Thus, the same public which reacts progressively to a slapstick comedy inevitably displays a backward attitude toward Surrealism.

Walter Benjamin

Mots clés art film audience painting mass-culture reception



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The biggest spur to my interest in art came when I played van Gogh in the biographical film Lust For Life. The role affected me deeply. I was haunted by this talented genius who took his own life, thinking he was a failure. How terrible to paint pictures and feel that no one wants them. How awful it would be to write music that no one wants to hear. Books that no one wants to read. And how would you like to be an actor with no part to play, and no audience to watch you. Poor Vincent—he wrestled with his soul in the wheat field of Auvers-sur-Oise, stacks of his unsold paintings collecting dust in his brother's house. It was all too much for him, and he pulled the trigger and ended it all. My heart ached for van Gogh the afternoon that I played that scene. As I write this, I look up at a poster of his "Irises"—a poster from the Getty Museum. It's a beautiful piece of art with one white iris sticking up among a field of blue ones. They paid a fortune for it, reportedly $53 million. And poor Vincent, in his lifetime, sold only one painting for 400 francs or $80 dollars today. This is what stimulated my interest in buying works of art from living artists. I want them to know while they are alive that I enjoy their paintings hanging on my walls, or their sculptures decorating my garden

Kirk Douglas

Mots clés art books writing writers appreciation acting movies painting painters iris van-gogh vincent-van-gogh irises



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I had only to open my bedroom window, and blue air, love, and flowers entered with her”.

Marc Chagall

Mots clés love flowers painting muses



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Above all, he encourages her to paint, nodding with approval at even her most unusual experiments with color, light, rough brushwork [...]. She explains to him that she believes painting should reflect nature and life [...]. He nods, although he adds cautiously that he wouldn't want her to know too much about life - nature is a fine subject, but life is grimmer than she can understand. He thinks it is good for her to have something satisfying to do at home; he loves art himself; he sees her gift and wants her to be happy. He knows the charming Morisots. He has met the Manets, and always remarks that they are a good family, despite Édouard's reputation and his immoral experiments (he paints loose women), which make him perhaps too modern - a shame, given his obvious talent.

In fact, Yves takes her to many galleries. They attend the Salon every year, with nearly a million other people, and listen to the gossip about favorite canvases and those critics disdain. Occasionally they stroll in the museums in the Louvre, where she sees art students copying paintings and sculpture, even an unchaperoned woman here and there (surely Americans). She can't quite bring herself to admire nudes in his presence, certainly not the heroic males; she knows she will never paint from a nude model herself. Her own formal training was in the private studios of an academican, copying from plaster casts with her mother present, before she married.

Elizabeth Kostova

Mots clés painting 19th-century



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He had been a boy who liked to draw, according to my friend, so he became an architect. Children who drew,I learned, became architects; I had thought they became painters. My friend explained that it was not proper to become a painter; it couldn’t be done. I resigned myself to architecture school and a long life of drawing buildings. It was a pity, for I disliked buildings, considering them only a stiffer and more ample form of clothing, and no more important.

Annie Dillard

Mots clés vocation architecture painting drawing



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