The illusion of our.

Cameron Conaway

Mots clés philosophy



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The weight of wait.

Cameron Conaway

Mots clés poetry philosophy patience



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Dew moves mountains.

Cameron Conaway

Mots clés philosophy nature environment



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Somewhere in the shape sighs take.

Cameron Conaway

Mots clés life poetry philosophy sigh shape



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The granted for taken.

Cameron Conaway

Mots clés life poetry philosophy take-for-granted



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What's not there is.

Cameron Conaway

Mots clés life poetry philosophy illusion



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The ribboned gallons that rule us like beliefs rooted in single experiences.

Cameron Conaway

Mots clés experience poetry philosophy belief nature oil



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The whispers inside the red wheelbarrow's dew.

Cameron Conaway

Mots clés poetry philosophy nature whisper dew



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If we are inclined to forget how much there is in the world besides that which we anticipate, then works of art are perhaps a little to blame, for in them we find at work the same process of simplification or selection as in the imagination. Artistic accounts include severe abbreviations of what reality will force upon us. A travel book may tell us, for example, that the narrator journeyed through the afternoon to reach the hill town of X and after a night in its medieval monastery awoke to a misty dawn. But we never simply 'journey through an afternoon'. We sit in a train. Lunch digests awkwardly within us. The seat cloth is grey. We look out the window at a field. We look back inside. A drum of anxieties resolves in our consciousness. We notice a luggage label affixed to a suitcase in a rack above the seats opposite. We tap a finger on the window ledge. A broken nail on an index finger catches a thread. It starts to rain. A drop wends a muddy path down the dust-coated window. We wonder where our ticket might be. We look back at the field. It continues to rain. At last, the train starts to move. It passes an iron bridge, after which it inexplicably stops. A fly lands on the window And still we may have reached the end only of the first minute of a comprehensive account of the events lurking within the deceptive sentence 'He journeyed through the afternoon'.

A storyteller who provides us with such a profusion of details would rapidly grow maddening. Unfortunately, life itself often subscribes to this mode of storytelling, wearking us out with repetitions, misleading emphases[,] and inconsequential plot lines. It insists on showing us Burdak Electronics, the safety handle in the car, a stray dog, a Christmas card[,] and a fly that lands first on the rim and then the centre of a laden ashtray.

Which explains the curious phenomenon whereby valuable elements may be easier to experience in art and in anticipation than in reality. The anticipatory and artistic imaginations omit and compress; they cut away the periods of boredom and direct our attention to critical moments, and thus, without either lying or embellishing, they lend to life a vividness and a coherence that it may lack in the distracting woolliness of the present.

Alain de Botton

Mots clés writing philosophy story travel



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Ever since childhood, when I lived within earshot of the Boston and Maine, I have seldom heard a train go by and not wished I was on it. Those whistles sing bewitchment: railways are irresistible bazaars... Anything is possible on a train...

Paul Theroux

Mots clés philosophy travel contemplation journeys train



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