So winners, Hae-Joo proposed, are the real losers because they learn nothing? What, then, are losers? Winners?
David MitchellMots clés wisdom perspective learning-from-mistakes postmodern postmodernism loser improvement cloud-atlas winner
...a little of this, a little of that - a little of me, a little of you - put it together what do you have? postmodern soup...
John GeddesMots clés postmodern plagiarism coptwrite
Kant is sometimes considered to be an advocate of reason. Kant was in favor of science, it is argued. He emphasized the importance of rational consistency in ethics. He posited regulative principles of reason to guide our thinking, even our thinking about religion. And he resisted the ravings of Johann Hamann and the relativism of Johann Herder. Thus, the argument runs, Kant should be placed in the pantheon of Enlightenment greats. That is a mistake. The fundamental question of reason is its relationship to reality. Is reason capable of knowing reality - or is it not? Is our rational faculty a cognitive function, taking its material form reality, understanding the significance of that material, and using that understanding to guide our actions in reality - or is it not? This is the question that divides philosophers into pro- and anti-reason camps, this is the question that divides the rational gnostics and the skeptics, and this was Kant’s question in his Critique of Pure Reason. Kant was crystal clear about his answer. Reality - real, noumenal reality - is forever closed off to reason, and reason is limited to awareness and understanding of its own subjective products… Kant was the decisive break with the Enlightenment and the first major step toward postmodernism. Contrary to the Enlightenment account of reason, Kant held that the mind is not a response mechanism but a constitute mechanism. He held that the mind - and not reality - sets the terms for knowledge. And he held that reality conforms to reason, not vice versa. In the history of philosphy, Kant marks a fundamental shift from objectivity as the standard to subjectivity as the standard. What a minute, a defender of Kant may reply. Kant was hardly opposed to reason. After all, he favored rational consistency and he believed in universal principles. So what is anti-reason about it? The answer is that more fundamental to reason than consistency and universality is a connection to reality. Any thinker who concludes that in principle reason cannot know reality is not fundamentally an advocate of reason… Suppose a thinker argued the following: “I am an advocate of freedom for women. Options and the power to choose among them are crucial to our human dignity. And I am wholeheartedly an advocate of women’s human dignity. But we must understand that a scope of a women’s choice is confined to the kitchen. Beyond the kitchen’s door she must not attempt to exercise choice. Within the kitchen, however, she has a whole feast of choices[…]”. No one would mistake such a thinker for an advocate of women’s freedom. Anyone would point out that there is a whole world beyond the kitchen and that freedom is essentially about exercising choice about defining and creating one’s place in the world as a whole. The key point about Kant, to draw the analogy crudely, is that he prohibits knowledge of anything outside our skulls. The gives reasons lots to do withing the skull, and he does advocate a well-organized and tidy mind, but this hardly makes him a champion of reason… Kant did not take all of the steps down to postmodernism, but he did take the decisive one. Of the five major features of Enlightenment reason - objectivity, competence, autonomy, universality, and being an individual faculty - Kant rejected objectivity.
Stephen R.C. HicksMots clés reason philosophy enlightenment postmodern kant
It is a world completely rotten with wealth, power, senility, indifference, puritanism and mental hygiene, poverty and waste, technological futility and aimless violence, and yet I cannot help but feel it has about it something of the dawning of the universe. Perhaps because the entire world continues to dream of New York, even as New York dominates and exploits it.
Jean BaudrillardMots clés power loss new-york postmodern
Quinn froze. There was nothing he could do now that would not be a mistake. Whatever choice he made--and he had to make a choice--would be arbitrary, a submission to chance. Uncertainty would haunt him to the end. At that moment, the two Stillmans started on their way again. The first turned right, the second turned left. Quin craved an amoeba's body, wanting to cut himself in half and run off in two directions at once. (Chapter 7)
Paul AusterMots clés fiction postmodern
The overriding sense of Tokyo...is that it is a city devoted to the new, sped up in a subtle but profound way: a postmodern science-fiction story set ten minutes in the future.
David RakoffMots clés postmodern tokyo
And I wasn’t playing a role – I was trying to be myself.
But the harder I was striving, the more I was realizing that I had probably lost that ‘myself’ somewhere between two perfectly performed roles...
Mots clés reality romantic lost identity romance be-yourself secret try yourself mystery play trying suspense obsession lonely hidden perfect perfection gothic young-adult pretend postmodern mysterious masks lose mask postmodernism real myself hide pretending secretive roles who-you-are gothic-romance realize goth freya strive role masked young-adult-suspense cardew obsessive young-adult-gothic-romance who-i-am
I always am in a role, lovely – for you, for them – even for myself. Yeah... Even when I’m alone, I am still in a role – and I myself am the most exacting audience I have ever had.
Simona PanovaMots clés strength romantic strong dramatic romance weak weakness theater emotion alone control drama self-image play feelings acting suspense theatre lonely gothic always young-adult audience pretend postmodern masks mask postmodernism hide feel fake emotional hiding forbidden demand actor actress pretending gothic-romance goth demanding forbid emotionless young-adult-gothic-romance exact exacting feelless stern
Even I don’t know myself... In fact, I don’t know if I really have a self at all, as I’m constantly playing different roles and pretending – not so much on stage as in real life...
Simona PanovaMots clés life love reality knowledge romantic identity romance real-life relationships different live self playing living crisis fact understanding self-awareness self-image play acting suspense awareness hidden gothic young-adult postmodern relationship understand masks mask postmodernism hide aware actor know roles gothic-romance goth know-yourself role even young-adult-gothic-romance know-myself self-identity-crisis
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