There is nothing quite like this novel with its rage and ragings, its discontent and angry restlessness. Wuthering Heights is a virgin's story.
Elizabeth HardwickTag: virginity writing wuthering-heights
Nevertheless the severance is rather casual and it drops a stain on our admiration of Nora. Ibsen has put the leaving of her children on the same moral and emotional level as the leaving of her husband and we cannot, in our hearts, asssent to that. It is not only the leaving but the way the play does not have time for suffering, changes of heart. Ibsen has been too much a man in the end. He has taken the man's practice, if not his stated belief, that where self-realization is concerned children shall not be an impediment.
Elizabeth HardwickTag: writing motherhood ibsen a-doll-s-house feminsim
the great is seldom a deterrent to the mediocre
Elizabeth HardwickTag: art
The 'swapping' is interesting. This practice one had thought confined to certain earnest Americans in the smaller, more tedious cities, to those wives and husbands who had read sex manuals and radically wanted more of life even if it had to be, like pizza, brought in from around the corner--all of this was accomplished by Bloomsbury in the lightest, most spontaneous and good-natured manner.
Elizabeth HardwickTag: writing bloomsbury virginia-woof
In this couple defects were multiplied, as if by a dangerous doubling; weakness fed upon itself without a counterstrength and they were trapped, defaults, mutually committed, left holes everywhere in their lives. When you read their letters to each other it is often necessary to consult the signature in order to be sure which one has done the writing. Their tone about themselves, their mood, is the fatal one of nostalgia--a passive, consuming, repetitive poetry. Sometimes one feels even its most felicitious and melodious moments are fixed, rigid in experession, and that their feelings have gradually merged with their manner, fallen under the domination of style. Even in their suffering, so deep and beyond relief, their tonal memory controls the words, shaping them into the Fitzgerald tune, always so regretful, regressive, and touched with a careful felicity.
Elizabeth HardwickTag: writing f-scott-fitzgerald zelda-fitzgerald
They had created themselves together, and they always saw themselves, their youth, their love, their lost youth and lost love, their failures and memories, as a sort of living fiction.
Elizabeth HardwickTag: writing fiction f-scott-fitzgerald zelda-fitzgerald
In those years I did not care to enjoy sex, only to have it. That is what seeing Alex again on Fifth Avenue brought back to me - a youth of fascinated, passionless copulation. There they are, figures in a discoloured blur, young men and not so young, the nice ones with automobiles, the dull ones full of suspicions and stinginess. By asking a thousand questions of many heavy souls, I did not learn much. You receive biographies interesting mainly for their coherence. So many are children who from the day of their birth are growing up to be their parents. Look at the voting records, inherited like flat feet.
Elizabeth HardwickTag: sex
Now, my novel begins. No, now I begin my novel—and yet I cannot decide whether to call myself I or she.
Elizabeth HardwickTag: novel
A Doll’s House is about money, about the way it turns locks.
Elizabeth HardwickTag: ibsen a-doll-s-house
Leonard Woolf’s endurance of Virginia’s famous frigidity is, we must suppose after the fact, altogether to his credit. Their honeymoon did not bring the amelioration they had hoped for and it is incredibly innocent and moving to think of them discussing it with Vanessa. They wanted to know when she had first had an orgasm. She said she couldn’t remember but she knew she had been “sympathetic” from the age of two. Vita Sackville-West said about Virginia, “She dislikes the possessiveness and love of domination in men. In fact she dislikes the quality of masculinity.
Elizabeth HardwickTag: virginia-woolf leonard-woolf vanessa-bell vita-sacksville-west
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