With the birth of Akash, in his sudden, perfect presence, Ruma had felt awe for the first time in her life. He still had the power to stagger her at times--simply the fact that he was breathing, that all his organs were in their proper places, that blood flowed quietly and effectively through his small, sturdy limbs. He was her flesh and blood, her mother had told her in the hospital the day Akash was born. Only the words her mother used were more literal, enriching the tired phrase with meaning: "He is made from your meat and bone." It had caused Ruma to acknowledge the supernatural in everyday life. But death, too, had the power to awe, she knew this now-that a human being could be alive for years and years, thinking and breathing and eating, full of a million worries and feelings and thoughts, taking up space in the world, and then, in an instant, become absent, invisible.
Jhumpa LahiriIt was only then, raising my water glass in his name, that I knew what it meant to miss someone who was so many miles and hours away, just as he had missed his wife and daughters for so many months.
Jhumpa LahiriWill you remember this day, Gogol?" his father had asked, turning back to look at him, his hands pressed like earmuffs to either side of his head. "How long do I have to remember it?" Over the rise and fall of the wind, he could hear his father's laughter. He was standing there, waiting for Gogol to catch up, putting out a hand as Gogol drew near. "Try to remember it always," he said once Gogol reached him, leading him slowly back across the breakwater, to where his mother and Sonia stood waiting. "Remember that you and I made this journey, that we went together to a place where there was nowhere left to go.
Jhumpa LahiriMy wife's name was Mala. The marriage had been arranged by my older brother and his wife. I regarded the proposition with neither objection nor enthusiasm. It was a duty expected of me, as it was expected of every man. She was the daughter of a schoolteacher in Beleghata. I was told that she could cook, knit, embroider, sketch landscapes, and recite poems by Tagore, but these talents could not make up for the fact that she did not possess a fair complexion, and so a string of men had rejected her to her face. She was twenty-seven, an age when her parents had begun to fear that she would never marry, and so they were willing to ship their only child halfway across the world in order to save her from spinsterhood.
Jhumpa LahiriThe best sentences orient us, like stars in the sky, like landmarks on a trail. They remain the test, whether or not to read something. The most compelling narrative, expressed in sentences with which I have no chemical reaction, or an adverse one, leaves me cold. In fiction, plenty do the job of conveying information, rousing suspense, painting characters, enabling them to speak. But only certain sentences breathe and shift about, like live matter in soil. The first sentence of a book is a handshake, perhaps an embrace. Style and personality are irrelevant. They can be formal or casual. They can be tall or short or fat or thin. They can obey the rules or break them. But they need to contain a charge. A live current, which shocks and illuminates.
Jhumpa LahiriAmid the gray, an incongruous band of daytime blue asserts itself. To the west, a pink sun already begins its descent. The effect is of three isolated aspects, distinct phases of the day. All of it, strewn across the horizon, is contained in his vision.
Jhumpa LahiriThe first sentence of a book is a handshake, perhaps an embrace. Style and personality are irrelevant. They can be formal or casual. They can be tall or short or fat or thin. They can obey the rules or break them. But they need to contain a charge. A live current, which shocks and illuminates.
Jhumpa LahiriTag: style writing first-sentence rules-for-writing
Isolation offered its own form of companionship: the reliable silence of her rooms, the steadfast tranquility of the evenings. The promise that she would find things where she put them, that there would be no interruption, no surprise. It greeted her at the end of each day and lay still with her at night.
Jhumpa LahiriWhen Deepa poured Bela some water from the urn that stood on a little stool, in the corner of the room, her grandmother reproached her.
Not that water. Give her the boiled water. She’s not made to survive here.
Writing down call numbers with short pencils, searching up and down aisles that would turn dark when the timers on the lights expired. She recalls, visually, certain passages in the books she'd read. Which side of the book, where on the page.
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