Napoleon I., whose career had the quality of a duel against the whole
of Europe, disliked duelling between the officers of his army. The great military emperor was not a washbuckler, and had little respect for tradition.
Nevertheless, a story of duelling, which became a legend in the army, runs through the epic of imperial wars. To the surprise and admiration of their fellows, two officers, like insane artists trying to gild refined gold or paint the lily, pursued a private contest through the years of universal carnage.
They were officers of cavalry, and their connection with the high-spirited but fanciful animal which carries men into battle seems particularly appropriate.
It would be difficult to imagine for heroes of this legend two officers of infantry of the line, for example, whose fantasy is tamed by much walking exercise, and whose valour necessarily must be of a more plodding kind. As to gunners or engineers, whose heads are kept cool on a diet of mathematics, it is simply unthinkable.
The names of the two officers were Feraud and D'Hubert, and they were both lieutenants in a regiment of hussars, but not in the same regiment. [The duel]
And suddenly I rejoiced in the great security of the sea as compared with the unrest of the land, in my choice of that untempted life presenting no disquieting problems, invested with an elementary moral beauty by the absolute straightforwardness of its appeal and by the singleness of its purpose.
Joseph ConradTag: joy security sea ocean the-secret-sharer
Don't you know yet, he said, that an idle and selfish class loves to see mischief being made, even if it is made at its own expense? Its own life being all a matter of pose and gesture, it is unable to realize the power and the danger of a real movement and of words that have no sham meaning. It is all fun and sentiment. It is sufficient, for instance, to point out the attitude of the old French aristocracy towards the philosophers whose words were preparing the Great Revolution. Even in England, where you have some common-sense, a demagogue has only to shout loud enough and long enough to find some backing in the very class he is shouting at. You, too, like to see mischief being made.
The demagogue carries the amateurs of emotion with him. Amateurism in this, that, and the other thing is a delightfully easy way of killing time, and feeding one's own vanity--the silly vanity of being abreast with the ideas of the day after to-morrow. Just as good and otherwise harmless people will join you in ecstasies over your collection without having the slightest notion in what its marvellousness really consists. [The informer]
Tag: demagogy
I am saddened by the modern system of advertising. Whatever evidence it offers of enterprise, ingenuity, impudence, and resource in certain individuals, it proves to my mind the wide prevalence of that form of mental degradation which is called gullibility. [An anarchist]
Joseph ConradTag: advertising
It is a fact that the bitterest contradictions and the deadliest conflicts of the world are carried on in every individual breast capable of feeling and passion. [An anarchist]
Joseph ConradBut his soul was mad. Being alone in the wilderness, it had gone mad. I had - for my sins, I suppose - to go through the ordeal of looking into it myself. No eloquence could have been so withering to one's belief in mankind as his final burst of sincerity. He struggled with himself, too. I saw it, - I heard it. I saw the inconceivable mystery of a soul that knew no restraint, no faith, and no fear, yet struggling blindly with itself
Joseph ConradBut sometimes, by the deserving and the fortunate, even that task is accomplished. And when it is accomplished— behold!— all the truth of life is there: a moment of vision, a sigh, a smile— and the return to an eternal rest.
Joseph ConradTag: enlightenment
A work that aspires, however humbly, to the condition of art should carry its justification in every line.
Joseph ConradBut the artist appeals to that part of our being which is not dependent on wisdom; to that in us which is a gift and not an acquisition— and, therefore, more permanently enduring. He speaks to our capacity for delight and wonder, to the sense of mystery surrounding our lives; to our sense of pity, and beauty, and pain; to the latent feeling of fellowship with all creation— and to the subtle but invincible conviction of solidarity that knits together the loneliness of innumerable hearts, to the solidarity in dreams, in joy, in sorrow, in aspirations, in illusions, in hope, in fear, which binds men to each other, which binds together all humanity— the dead to the living and the living to the unborn.
Joseph ConradTag: art writing writers artists
To snatch in a moment of courage, from the remorseless rush of time, a passing phase of life, is only the beginning of the task. The task approached in tenderness and faith is to hold up unquestioningly, without choice and without fear, the rescued fragment before all eyes in the light of a sincere mood. It is to show its vibration, its color, its form; and through its movement, its form, and its color, reveal the substance of its truth— disclose its inspiring secret: the stress and passion within the core of each convincing moment.
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