That's my window. This minute
So gently did I alight
From sleep--was still floating in it.
Where has my life its limit
And where begins the night?

I could fancy all things around me
Were nothing but I as yet;
Like a crystal's depth, profoundly
Mute, translucent, unlit.

I have space to spare inside me
For the stars, too: so full of room
Feels my heart; so lightly
Would it let go of him, whom

For all I know I have started
To love, it may be to hold.
Strange, as if never charted,
Stares my fortune untold.

Why is it I am bedded
Beneath this infinitude,
Fragrant like a meadow,
Hither and thither moved,

Calling out, yet fearing
Someone might hear the cry,
Destined to disappearing
Within another I.

Rainer Maria Rilke


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Suddenly I'm as if cast out,
and this solitude surrounds me
as something vast and unbounded,
when my feeling, standing on the hills
of my breasts, cries out for wings
or for an end.

Rainer Maria Rilke


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Out of infinite longings rise
finite deeds like weak fountains,
falling back just in time and trembling.
And yet, what otherwise remains silent,
our happy energies—show themselves
in these dancing tears.

Rainer Maria Rilke


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IMPERMANENCE
"Driftsand of the hours. Quietly disappearing,
continuously, even the happily consecrated design.
Life blows away, always: pillars already rise
without connection, carrying nothing but empty air.

Rainer Maria Rilke


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World was in the face of the beloved--,
but suddenly it poured out and was gone:
world is outside, world can not be grasped.

Why didn't I, from the full, beloved face
as I raised it to my lips, why didn't I drink
world, so near that I couldn't almost taste it?

Ah, I drank. Insatiably I drank.
But I was filled up also, with too much
world, and, drinking, I myself ran over.

Rainer Maria Rilke


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You, you only, exist.
We pass away, till at last,
our passing is so immense
that you arise: beautiful moment,
in all your suddenness,
arising in love, or enchanted
in the contraction of work.

To you I belong, however time may
wear me away. From you to you
I go commanded. In between
the garland is hanging in chance; but if you
take it up and up and up: look:
all becomes festival!

Rainer Maria Rilke


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SENSE OF SOMETHING COMING: I am like a flag in the center of open space.
I sense ahead the wind which is coming, and must live
it through.
while the things of the world still do not move:
the doors still close softly, and the chimneys are full
of silence,
the windows do not rattle yet, and the dust still lies down.

I already know the storm, and I am troubled as the sea.
I leap out, and fall back,
and throw myself out, and am absolutely alone
in the great storm.

Rainer Maria Rilke


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THE UNICORN: The saintly hermit, midway through his prayers
stopped suddenly, and raised his eyes to witness
the unbelievable: for there before him stood
the legendary creature, startling white, that
had approached, soundlessly, pleading with his eyes.

The legs, so delicately shaped, balanced a
body wrought of finest ivory. And as
he moved, his coat shone like reflected moonlight.
High on his forehead rose the magic horn, the sign
of his uniqueness: a tower held upright
by his alert, yet gentle, timid gait.

The mouth of softest tints of rose and grey, when
opened slightly, revealed his gleaming teeth,
whiter than snow. The nostrils quivered faintly:
he sought to quench his thirst, to rest and find repose.
His eyes looked far beyond the saint's enclosure,
reflecting vistas and events long vanished,
and closed the circle of this ancient mystic legend.

Rainer Maria Rilke

Tag: fairy-tales mythology unicorns



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THE WAIT: It is life in slow motion,
it's the heart in reverse,
it's a hope-and-a-half:
too much and too little at once.

It's a train that suddenly
stops with no station around,
and we can hear the cricket,
and, leaning out the carriage

door, we vainly contemplate
a wind we feel that stirs
the blooming meadows, the meadows
made imaginary by this stop.

Rainer Maria Rilke


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Music: breathing of statues. Perhaps:
silence of paintings. You language where all language
ends. You time
standing vertically on the motion of mortal hearts.

Feelings for whom? O you the transformation
of feelings into what?--: into audible landscape.
You stranger: music. You heart-space
grown out of us. The deepest space in us,
which, rising above us, forces its way out,--
holy departure:
when the innermost point in us stands
outside, as the most practiced distance, as the other
side of the air:
pure,
boundless,
no longer habitable.

Rainer Maria Rilke


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