Finding the center of strenghth within ourselves is in the long run best contribution we can do to our fellow man
Rollo MayTag: inspirational
Tenderness emerges from the fact that the two persons, longing, as all individuals do, to overcome the separateness and isolation to which we are all heir because we are individuals, can participate in a relationship that, for the moment, is not of two isolated selves but a union
Rollo MayTag: love relationships union
The opposite of courage in our society is not cowardice, it's conformity.
Rollo MayTag: conformity
What genuine painters do is to reveal the underlying psychological and spiritual conditions of their relationship to their world; thus in the works of a great painter we have a reflection of the emotional and spiritual condition of human beings in that period of history. If you wish to understand the psychological and spiritual temper of any historical period, you can do no better than to look long and searchingly at its art. For in the art the underlying spiritual meaning of the period is expressed directly in symbols. This is not because artists are didactic or set out to teach or to make propaganda; to the extend that they do, their power of expression is broken; their direct relations to the inarticulate, or, if you will, 'unconscious' levels of the culture is destroyed. They have the power to reveal the underlying meaning of any period precisely because the essence of art is the powerful and alive encounter between the artist and his or her world." (pg 52)
Rollo MayOne of the few blessings of living in an age of anxiety is that we are forced to become aware of ourselves.
Rollo MayTag: self-awareness anxiety
It is dangerous to know, but it is more dangerous not to know.
Rollo MayTag: love-knowledge-daimonic-wisdom
They showed considerable anxiety because they were in the process of loving beauty.
Rollo MayBut there comes a point (and this is the challenge facing modern technological Western man) when the cult of technique destroys feeling, undermines passion, and blots out individual identity. The technologically efficient lover...has lost the power to be carried away; he knows only too well what he is doing. At this point, technology diminishes consciousness and demolishes eros. Tools are no longer an enlargement of consciousness but a substitute for it and, indeed, tend to repress and truncate it.
Rollo MayFor death is always in the shadow of the delight of love. In faint adumbration there is present the dread, haunting question, Will this new relationship destroy us?...The world is annihilated; how can we know whether it will ever be built up again? We give, and give up, our own center; how shall we know that we will get it back?...
This...has something in common with the ecstasy of the mystic in his union with God: just as he can never be //sure// God is there, so love carries us to that intensity of consciousness in which we no longer have any guarantee of security.
Because it is possible to create — creating one’s self, willing to be one’s self, as well as creating in all the innumerable daily activities (and these are two phases of the same process) — one has anxiety. One would have no anxiety if there were no possibility whatever. Now creating, actualizing one’s possibilities, always involves negative as well as positive aspects. It always involves destroying the status quo, destroying old patterns within oneself, progressively destroying what one has clung to from childhood on, and creating new and original forms and ways of living. If one does not do this, one is refusing to grow, refusing to avail himself of his possibilities; one is shirking his responsibility to himself. Hence refusal to actualize one’s possibilities brings guilt toward one’s self. But creating also means destroying the status quo of one’s environment, breaking the old forms; it means producing something new and original in human relations as well as in cultural forms (e.g., the creativity of the artist). Thus every experience of creativity has its potentiality of aggression or denial toward other persons in one’s environment or established patterns within one’s self. To put the matter figuratively, in every experience of creativity something in the past is killed that something new in the present may be born. Hence, for Kierkegaard, guilt feeling is always a concomitant of anxiety: both are aspects of experiencing and actualizing possibility. The more creative the person, he held, the more anxiety and guilt are potentially present.
Rollo MayTag: creativity anxiety mindset
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