Very few people know where to look for happiness; fewer still find it.
W. Somerset MaughamAll sensible people know that vanity is the most devastating, the most universal, and the most ineradicable of the passions that afflict the soul of man, and it is only vanity that makes him deny its power. It is more consuming than love. With advancing years, mercifully, you can snap your fingers at the terror and the servitude of love, but age cannot free you from the thraldom of vanity. Time can assuage the pangs of love, but only death can still the anguish of wounded vanity. Love is simple and seeks no subterfuge, but vanity cozens you with a hundred disguises. It is part and parcel of every virtue: it is mainspring of courage and the strength of ambition; it gives constancy to the lover and endurance to the stoic; it adds fuel to the fire of the artist's desire for fame and is at once the support and the compensation of the honest man's integrity; it leers even cynically in the humility of the saint. You cannot escape it, and should you take pains to guard against it, it will make use of those very pains to trip you up. You are defenseless against its onslaught because you know not on what unprotected side it will attack you. Sincerity cannot protect you from its snare nor humour from its mockery.
[His Excellency]
Good gracious, she could have remained faithful to him in spirit while she was being unfaithful to him in the flesh. That is a feat of legerdemain that women find it easy to accomplish.'
What a odious cynic you are.'
If it's cynical to look truth in the face and exercise common sense in the affairs of life, then certainly I'm a cynic and odious if you like.'
[Virtue]
So now what?'
'Well, if you insist on marrying me... But it's an awful risk we're taking!'
'Darling, that's what life's for - to take risks.
But if the folly of men made one angry one would pass one's life in a state of chronic ire.
W. Somerset MaughamFor thirty years now I have been studying my fellow-men. I do not know very much about them. I should certainly hesitate to engage a servant on his face, and yet I suppose it is on the face that for the most part we judge the persons we meet. We draw our conclusions from the shape of the jaw, the look in the eyes, the contour of the mouth. I wonder if we are more often right than wrong. Why novels and plays are so often untrue to life is because their authors, perhaps of necessity, make their characters all of a piece. They cannot afford to make them self-contradictory, for then they become incomprehensible, and yet self-contradictory is what most of us are. We are a haphazard bundle of inconsistent qualities. In books on logic they will tell you that it is absurd to say that yellow is tubular or gratitude heavier than air; but in that mixture of incongruities that makes up the self yellow may very well be a horse and cart and gratitude the middle of the week. I shrug my shoulders when people tell me that their first impressions of a person are always right. I think they must have small insight or great vanity. For my own part I find that the longer I know people the more they puzzled me: my oldest friends are just these of whom I can say that I don't know the first thing about them.
W. Somerset MaughamLife is really very fantastic, and one has to have a peculiar sense of humour to see the fun of it.
[Virtue]
She managed (as so few people do) to look exactly what she was.
[Jane]
Luxury is dangerous to people who have never known it and to whom its temptations are held out too suddenly. [...] Just as the advantage of culture is that it enables you to talk nonsense with distinction, so the habit of luxury allows you to regard its frills and furbelows with a proper contumely.
[Giulia Lazzari]
Ashenden was in the habit of asserting that he was never bored. It was one of his notions that only such persons were as had no resources in themselves and it was but the stupid that depended on the outside world for their amusement.
[Giulia Lazzari]
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