A shame that these images had become iconic, a tune we were all tired of humming.
Elizabeth KostovaTag: art-history
We lost Klimmt, Schiele and Moll
George PrattTag: art-history humorous-quotations
[...] a familiar art historical narrative [...] celebrates the triumph of the expressive individual over the collective, of innovation over tradition, and autonomy over interdependence. [...] In fact, a common trope within the modernist tradition of the nineteenth and early twentieth centuries involved the attempt to reconstruct or recover the lost ideal of an art that is integrated with, rather than alienated from, the social. By and large, however, the dominant model of avant-garde art during the modern period assumes that shared or collective values and systems of meaning are necessarily repressive and incapable of generating new insight or grounding creative praxis.
Grant H. KesterTag: art meaning assumptions fallacy tradition modernism models art-history trope avant-garde
The art historians are the real wreckers of art, Reger said. The art historians twaddle so long about art until they have killed it with their twaddle. Art is killed by the twaddle of the art historians. My God, I often think, sitting here on the settee while the art historians are driving their helpless flocks past me, what a pity about all these people who have all art driven out of them, driven out of them for good, by these very art historians. The art historians’ trade is the vilest trade there is, and a twaddling art historian, but then there are only twaddling art historians, deserves to be chased out with a whip, chased out of the world of art, Reger said, all art historians deserve to be chased out of the world of art, because art historians are the real wreckers of art and we should not allow art to be wrecked by the art historians who are really art wreckers. Listening to an art historian we feel sick, he said, by listening to an art historian we see the art he is twaddling about being ruined, with the twaddle of the art historian art shrivels and is ruined. Thousands, indeed tens of thousands of art historians wreck art by their twaddle and ruin it, he said. The art historians are the real killers of art, if we listen to an art historian we participate in the wrecking of art, wherever an art historian appears art is wrecked, that is the truth.
Thomas BernhardTag: art art-history
The value of a work of art cannot ultimately turn on the more or less of its subservience to ideology; for painting can be grandly subservient to the half-truths of the moment, doggedly servile, and yet be no less intense.
T.J. ClarkTag: art aesthetics art-history
Just as no monkey is as good-looking as the ugliest of humans, no academic is worthier than the worst of the creators
Nassim Nicholas TalebTag: art arts creativity criticism artists academia critics art-history academics
read the state of the art, the rest of inspiration
Art OpportunitiesTag: art-history
Impressionism was not just a style of painting, it was a new attitude to art and life; it is this attitude that marks the beginning of modern art.
Neville WestonTag: art-history
The object [Duchamp's Fountain] was rejected , giving Duchamp the opportunity of issuing a statement, which he published in a review, The Blind Man. In his statement he emphasized that the act of choice was sufficient to justify it as a creative art. Placing it in such a way that its normal use was disguised caused a new reality for the object to be invented. To the criticism that it was rude he replied, logically enough,"How could this object be acceptable when displayed in a plumber's shop window and yet be immoral anywhere else?
Neville WestonTag: art-history
Such ideas made him [Constable] a precursor of the essentially twentieth-century view that art and life are inseparable and there is no such thing as ideal subject-matter.
Neville WestonTag: art-history
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