[Donald] Keene observed [in a book entitled The Pleasures of Japanese Literature, 1988] that the Japanese sense of beauty has long sharply differed from its Western counterpart: it has been dominated by a love of irregularity rather than symmetry, the impermanent rather than the eternal and the simple rather than the ornate. The reason owes nothing to climate or genetics, added Keene, but is the result of the actions of writers, painters and theorists, who had actively shaped the sense of beauty of their nation.
Contrary to the Romantic belief that we each settle naturally on a fitting idea of beauty, it seems that our visual and emotional faculties in fact need constant external guidance to help them decide what they should take note of and appreciate. 'Culture' is the word we have assigned to the force that assists us in identifying which of our many sensations we should focus on and apportion value to.
Tag: beauty simplicity japan design value emotional visual wabi-sabi
There are No real coincidences in life for those with faith strong enough to recognize coincidences for what they really are: intricate pieces of the providential design God created for each of our lives
Delia ParrTag: faith design coincidence
Here's where redesign begins in earnest, where we stop trying to be less bad and we start figuring out how to be good.
William McDonoughTag: good bad ecology design green
Advertising design, in persuading people to buy things they don`t need, with money they don`t have, in order to impress others who don`t care, is probably the phoniest field in existence today.
Victor PapanekTag: advertising design
It's easy to dismiss design - to relegate it to mere ornament, the prettifying of places and objects to disguise their banality. But that is a serious misunderstanding of what design is and why it matters - especially now.
Daniel H. PinkTag: design
There comes a point when you realize that these things, these brands, aren't "enough." Having more or better or best doesn't provide you with a lasting sense of having more or being better or being best. It's a rather fleeting experience, this romantic attachment to brands, and I find that if I'm not careful, the search for having more or better or best is a precarious journey into the infinite. When you depend on finite objects-or brands-to provide you with a long-term sense of self or love or pride or achievement, you start yourself out on a path with no end. No object, no product, and no brand can provide you with ultimate, infinite satisfaction.
Debbie MillmanI love the big scale and immediate impact of posters. They're my favourite things to design.
Paula ScherTag: love design paula-scher posters
I believe I’m very normal. I’m hyper-normal. I’m more normal than anyone else I know. I think my thoughts, my indulgences, my desires, my pleasures may at first appear different, but that is only because they are more normal, not because they are more esoteric.
I believe I am bored when other people are bored, only faster. I am interested when others are interested, only more interested. But I also think I’m less, rather than more, intelligent than other people.
By indulging my interests through my life, and perhaps because of rather than despite many failures, I have been able to design my life.
Tag: self-knowledge design information-architecture
All of science is largely formalized common sense.
Nancy R. PearceyTag: science intuition common-sense design intelligent-design
The designer must think first and work later.
Will BurtinTag: design
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