What one should add here is that self-consciousness is itself unconscious: we are not aware of the point of our self-consciousness. If ever there was a critic of the fetishizing effect of fascinating and dazzling "leitmotifs", it is Adorno: in his devastating analysis of Wagner, he tries to demonstrate how Wagnerian leitmotifs serve as fetishized elements of easy recognition and thus constitute a kind of inner-structural commodification of his music. It is then a supreme irony that traces of this same fetishizing procedure can be found in Adorno's own writings. Many of his provocative one-liners do effectively capture a profound insight or at least touch on a crucial point (for example: "Nothing is more true in pscyhoanalysis than its exaggeration"); however, more often than his partisans are ready to admit, Adorno gets caught up in his own game, infatuated with his own ability to produce dazzlingly "effective" paradoxical aphorisms at the expense of theoretical substance (recall the famous line from Dialectic of Englightment on how Hollywood's ideological maniuplation of social reality realized Kant's idea of the transcendental constitution of reality). In such cases where the dazzling "effect" of the unexpected short-circuit (here between Hollywood cinema and Kantian ontology) effectively overshadows the theoretical line of argumentation, the brilliant paradox works precisely in the same manner as the Wagnerian leitmotif: instead of serving as a nodal point in the complex network of structural mediation, it generates idiotic pleasure by focusing attention on itself. This unintended self-reflexivity is something of which Adorno undoubtedly was not aware: his critique of the Wagnerian leitmotif was an allegorical critique of his own writing. Is this not an exemplary case of his unconscious reflexivity of thinking? When criticizing his opponent Wagner, Adorno effectively deploys a critical allegory of his own writing - in Hegelese, the truth of his relation to the Other is a self-relation.
Slavoj ŽižekTag: irony self-consciousness
These are the best things I've ever had in my mouth!
Mora EarlyTag: food funny irony delicious
In our native terms, the ironic style is often compounded with the sardonic and the hard-boiled; even the effortlessly superior. But irony originates in the glance and the shrug of the loser, the outsider, the despised minority. It is a nuance that comes most effortlessly to the oppressed.
Christopher HitchensTag: dissent oppression irony minorities losers outsiders
I had never seen a real live dead person.
Jacqueline KellyTag: innocence curiosity irony curious
A DEAD STATESMAN
I could not dig: I dared not rob:
Therefore I lied to please the mob.
Now all my lies are proved untrue
And I must face the men I slew.
What tale shall serve me here among
Mine angry and defrauded young?
from EPITAPHS OF THE WAR 1914-18
Tag: politics truth lies war youth corruption irony dishonesty deceit
It is a tragic and agonizing irony that instructions once delivered for the purpose of avoiding needless offense are now invoked in ways that needlessly offend, that words once meant to help draw people to the gospel now repel them.
Rachel Held EvansTag: christianity irony offense gospel
Fukuyama’s thesis that history has climaxed with liberal capitalism may have been widely derided, but it is accepted, even assumed, at the level of the cultural unconscious. It should be remembered, though, that even when Fukuyama advanced it, the idea that history had reached a ‘terminal beach’ was not merely triumphalist. Fukuyama warned that his radiant city would be haunted, but he thought its specters would be Nietzschean rather than Marxian. Some of Nietzsche’s most prescient pages are those in which he describes the ‘oversaturation of an age with history’. ‘It leads an age into a dangerous mood of irony in regard to itself’, he wrote in Untimely Meditations, ‘and subsequently into the even more dangerous mood of cynicism’, in which ‘cosmopolitan fingering’, a detached spectatorialism, replaces engagement and involvement. This is the condition of Nietzsche’s Last Man, who has seen everything, but is decadently enfeebled precisely by this excess of (self) awareness.
Mark FisherTag: history cynicism nietzsche irony postmodernism postmodernity end-of-history fukuyama last-man
He liked the Leedses. He was sorry that he had been to the morgue. He thought the madman who visited them might have liked them too. But the madman would like them better the way they were now.
Thomas HarrisThe worst thing about irony for me is that it attenuates emotion.
David Foster WallaceTag: irony
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I don't think irony's meant to synergize with anything as heartfelt as
sadness.
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