The anti-religious modernism which now threatens Islam and Muslims everywhere can be fully understood only by understanding the religion of the civilization in whose bosom modernism first developed, against which it rebelled, and whose tenets it has been challenging through constant battle since the birth of the modern world in the Renaissance.
Seyyed Hossein NasrTag: civilization islam modernism
---In his major phase, he[Conrad] was "ahead of his times" in ideas and techniques;and this was because he was more intelligently and perceptively of his times than most writers then were. In his vigilant response to 19th century preoccupations, he anticipated--often critically--many 20th century preoccupations. He was a versatile intermediary between the Romantic and Victorian traditions and the innovations of Modernism.
Cedric WattsTag: victorian modernism conrad literary-status
He was in that familiar state - not that the occasion mattered to seriously to him -- of incoherent ideas spreading outward without a center, so characteristic of the present, and whose strange arithmetic adds up to a random proliferation of numbers without forming a unit.
Robert MusilTag: modernism
To the mind (Geist), good and evil, above and below, are not skeptical, relative concepts, but terms of a function, values that depend on the context they find themselves in…. It regards nothing as fixed, no personality, no order of things: because our knowledge may change from day to day, it regards nothing as binding: everything has the value it has only until the next act of creation, as a face changes with the words we are speaking to it.
And so the mind or spirit is the great opportunist, itself impossible to pin down, take hold of, anywhere: on is tempted to believe that of all its influence nothing is left but decay. Every advance is a gain in particular and a separation in general; it is an increase in power leading only to a progressive increase in impotence, but there is no way to quit. Ulrich thought of that body of facts and discoveries, growing almost by the hour, out of which the mind must peer today if it wishes to scrutinize any given problem closely. This body grows away from its inner life. Countless views, opinions, systems of ideas from every age and latitude, from all sorts of sick and sound, waking and dreaming brains run through it like thousands of small sensitive nerve strands, but the central nodal point tying them all together is missing. Man feels dangerously close to repeating the fate of those gigantic primeval species that perished because of their size; but he cannot stop himself.
Tag: modernism
We all grew up, those of us who took On the Road to heart. We came to cringe a little at our old favorite poet, concluding that God was likely never Pooh Bear, that sometimes New York and California could be just as isolated as our provincial hometown, and that grown men didn't run back and forth all the time bleeding soup and sympathy out of sucker women. But those are just details, really. We got what we needed, namely a passion for unlikely words, the willingness to improvise, a distrust of authority, and a sentimental attachment to a certain America....
Sarah VowellTag: isolation on-the-road modernism kerouac
La mia idea era di lasciare che la squadra di incatenati scomparisse alla vista prima di salire la collina. Sapete che non sono tenero in modo particolare; ho dovuto colpire e parare colpi. Ho dovuto difendermi e talvolta attaccare - il modo migliore per difendersi - senza calcolarne il costo esatto, secondo le necessità del genere di vita in cui ero incappato. Ho visto il demone della violenza, il demone della cupidigia, e il demone della bramosia bruciante; ma, per gli dèi!, erano demoni forti, vigorosi, dagli occhi ardenti, che scuotevano e trascinavano uomini - uomini, dico. Ma mentre ero su quella collina, previdi che nel sole accecante di quella terra avrei conosciuto un demone floscio, pretenzioso, dagli occhi smorti, di una follia rapace e spietata. Quanto insidioso potesse essere, dovevo impararlo soltanto dopo parecchi mesi e a mille miglia di distanza.
Joseph ConradTag: joseph-conrad modernism modernismo heart-of-darkness cuore-di-tenebra
ESTRAGON: We always find something, eh Didi, to give us the impression we exist?
VLADIMIR: (impatiently). Yes, yes, we’re magicians. But let us persevere in what we have resolved, before we forget.
Tag: samuel-beckett english-literature modernism waiting-for-godot tragicomedy english-theatre
I made my song a coat
Covered with embroideries
Out of old mythologies
From heel to throat;
But the fools caught it,
Wore it in the world's eyes
As though they'd wrought it.
Song, let them take it,
For there's more enterprise
In walking naked
Tag: modernism
What do I think was modernism’s subject, then? What was it about? No doubt you can guess my starting point. It was about steam—in both the Malevich and the de Chirico a train still rushes across the landscape. It was about change and power and contingency, in other words, but also control, compression, and captivity—an absurd or oppressive orderliness is haunting the bright new fields and the sunlit squares with their eternally flapping flags. Modernism presents us with a world becoming a realm of appearances—fragments, patchwork quilts of color, dream-tableaux made out of disconnected phantasms. But all of this is still happening in modernism, and still resisted as it is described. The two paintings remain shot through, it seems to me, with the effort to answer back to the flattening and derealizing-the will to put the fragments back into some sort of order. Modernism is agonized, but its agony is not separable from weird levity or whimsy. Pleasure and horror go together in it. Malevich may be desperate, or euphoric. He may be pouring scorn on the idea of collective man, or spelling the idea out with utter childish optimism. We shall never know his real opinions. His picture entertains both.
Modernism was certainly about the pathos of dream and desire in twentieth- century circumstances, but, again, the desires were unstoppable, ineradicable. The upright man will not let go of the future. The infinite still exists at the top of the tower. Even in the Picasso the monster flashing up outside the window is my monster, my phantasm, the figure of my unnegotiable desire. The monster is me—the terrible desiring and fearing subject inside me that eludes all form of conditioning, all the barrage of instructions about what it should want and who it should be. This is Picasso’s vestigial utopianism. You think that modernity is a realm of appetite and immediacy! I’ll show you appetite! I’ll show you immediacy! I shall, as a modernist, make the dreams of modernity come true.
Modernism was testing, as I said before. It was a kind of internal exile, a retreat into the territory of form; but form was ultimately a crucible, an act of aggression, an abyss into which all the comfortable “givens” of the culture were sucked and then spat out.
Tag: modernism
The reason for which Picasso was compelled to resort to signs and allegories should now be clear enough: his utter political helplessness in the face of a historical situation which he set out to record; his titanic effort to confront a particular historical event with an allegedly eternal truth; his desire to give hope and comfort and to provide a happy ending, to compensate for the terror, the destruction, and inhumanity of the event. Picasso did not see what Goya had already seen, namely, that the course of history can be changed only by historical means and only if men shape their own history instead of acting as the automaton of an earthly power or an allegedly eternal idea.
Max RaphaelTag: history anarchy goya modernism picasso eternal-ideas
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