The place trembled with sound. I didn't need to do anything. They would do it all. But you had to be careful. Drunk as they were they could immediately detect any false gesture, any false word. You could never underestimate an audience. They had paid to get in; they had paid for drinks; they intended to get something and if you didn't give it to them they'd run you right into the ocean.
Charles BukowskiTag: reading poetry performance
You're afraid of the audience, aren't you?"
"Yes, but it's not stagefright. It's that I'm there as the geek. They like to watch me eat my shit. But it pays the light bill and takes me to the racetrack. I don't have any excuses about why I do it.
Tag: performance poetry-reading
So …” Jack clears his throat. “We …”
Is Jack Coombs at a loss for words? I guess we don’t have to worry about the performance since the world is clearly going to end.
Tag: words performance jack emme
When we talk about my gender as though it were a performance, we let the audience - with all their expectations, prejudices, and presumptions - completely off the hook. - Scott Turner Schofield
Kate BornsteinTag: gender prejudice queer performance
When our hopes for performance are not completely met, realistic optimism involves accepting what cannot now be changed, rather than condemning or second-guessing ourselves. Focusing on the successful aspects of performance (even when the success is modest) promotes positive affect, reduces self-doubt, and helps to maintain motivation (e.g., McFarland
Sandra L. SchneiderTag: optimism success learning acceptance expectations performance improvement realistic-optimism second-guessing
Speed masks accuracy
Derek TateTag: performance skiing technical performance-improvement
Flow can be described as the icing on the cake
Derek TateTag: performance skiing technical skiing-performance
...I'm not afraid of the opinions of others - but of being needed and coming up short ...
John GeddesTag: fear opinions performance wise-words needed disappointing
Principles are proven through performance.
Orrin WoodwardTag: performance
For the virtuoso, musical works are in fact nothing but tragic and moving materializations of his emotions; he is called upon to make them speak, weep, sing and sigh, to recreate them in accordance with his own consciousness. In this way he, like the composer, is a creator, for he must have within himself those passions that he wishes to bring so intensely to life.
Franz LisztTag: music performance virtuoso
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