The sky was growing dangerously light when I left Lestat and made my way to the secret place, below an abandoned building where I kept the iron coffin in which I lie.
This is no unusual configuration among our kind-the sad old building, my title to it, or the cellar room cut off from the world above by iron doors no mortal could independently seek to lift.
Tags: secret vampires mortal vampire coffin iron cellar
By now, we're all familiar with the literary post-apocalyptic world's metaphors. The zombies are our anxieties. The vampires are our greed. Our fairies are hope. Our werewolves are … what again? Something
Taffy Brodesser-AknerTags: metaphor vampires fairies zombies werewolves
I've been waiting for you," he murmured.
Aphrodite slowly walked across the balcony, as her mind raced, trying to think of the perfect thing to say in return. All of a sudden a thought came to her that she didn't quite understand, but she knew it was right. It was also important, and would immortalize her and her actions for thousands of years to come.
"Happy Valentine's Day," she purred, as she fell into his arms, still holding the box of chocolates and a single red rose.
Tags: love romance unrequited-love vampires paranormal greek supernatural valentine emotional zombies
Fearful that they would be caught, the young lovers cast themselves into the sea with their stone, saying these words, "May we ever be united in love and hidden as long as this stone hides in deep waters.
Rebecca BoucherTags: love romance unrequited-love vampires paranormal greek supernatural valentine emotional zombies
Sometime later, I stood watching the cold rain fall, when suddenly I felt Daemon's arms around me and his lips on my neck. He loved my pregnant body and his hands roamed over it under the warm terrycloth of my bathrobe. I was lost in the moment, content to stay here forever...lost in the cold rain and welcoming warmth of Dublin, and lost in the arms of my husband. Since we arrived early this morning we were in our room, making love and sleeping, lost in a fairy tale moment, savoring every caress.
Rebecca BoucherTags: love romance unrequited-love vampires paranormal greek supernatural valentine emotional zombies
I remembered Daemon's feather soft kisses on my cheek, and I remembered the clouds parting and the sun shining on a cold February day in Ireland. And as my baby girl was laid on my chest and my husband held my hand, I saw my best friend Kat walk into the sun kissed part in the clouds, hand in hand, along with the last regrets of my past.
Rebecca BoucherTags: love romance unrequited-love vampires paranormal greek supernatural valentine emotional zombies
His eyes danced like a teenager. "Eat anyone alive today?" her father joked.
Ruby returned his wicked grin and sauntered into the living room. "Not today, but tomorrow's another day.
Tags: love romance unrequited-love vampires paranormal greek supernatural valentine emotional zombies
I really love folklore. I had read a lot of faerie folklore that informed the books I wrote. I also really love vampire folklore; my eighth grade research paper was on [it]. [With this project,] it was really helpful to think about the way you can use language. When you're writing about faeries, you can't call anyone "fey"; there are certain words that become forbidden because they're actualized in what faeries do. When you write about vampires, you could think the same way about things like the word "red" or "hunger"--it's interesting to think of the ways that the words have double meanings, or different meanings that shifted.
Holly BlackTags: vampires vampire folklore
My view of writing "Coldest Girl in Coldtown" was to take every single thing that I loved from every vampire book I had ever read and dump it into one book--everything I like--trying to evoke some of the decadence… Vampires are a high-class monster: They want to dress up. They want to drink a lot of absinthe, or force their victims to drink a lot of absinthe. They have big parties and have elegant rituals. I think that's a thing we associate with vampires--they are the royalty of our monsters. We expect them to be rich, we expect them to be well-dressed. I wanted to have some of that be true because I like it, and have some of it not be true because it's kind of weird.
I wanted to put in the idea of infection, which I was really interested in and which was a big feature of the vampire books I read growing up. And, the fear and desire for infection--the way in which our urge towards loving vampires is nihilistic. Our fear of them is our survival instincts kicking in.
The Anne Rice books are a lot about infection. I read "Interview With the Vampire" a million times when I was in seventh and eighth grade. Also, [writing Gavriel's backstory] definitely came from those books: I sat down and reread them all and thought a lot about… the way in which vampirism is pushing away from humanity in interesting ways, and creating something new from humanity. I imprinted on those books pretty hard.
Tanith Lee's "Sabella or the Blood Stone" was a big inspiration. I absolutely loved her books; when I was a kid, I wrote many bad Tanith Lee pastiches. Susie McKee Charnas' "The Vampire Tapestry." Poppy Z. Brite's "Lost Souls." Nancy Collins' "Sunglasses After Dark," which sounds like the most '80s title ever. It's about a vampire named Sonja Blue, and she goes around killing vampires. She's the only vampire who's half-alive. It's a really fun, blood-filled romp. It's very "Blade" before "Blade"--with a lady.
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