I went into the kitchen ten minutes back. The cat was sitting on the mat."
Beale's narrative style closely resembled that of a certain book I had read in my infancy. I wish I could remember its title. It was a well-written book.
Conversationally, I am like a clockwork toy. I have to be set going.
P.G. WodehouseShe looked like something that might have occured to Ibsen in one of his less frivolous moments.
P.G. WodehouseTag: humor expression moroseness unhappiness sombre-mood ibsen
[T]he success of every novel -- if it's a novel of action -- depends on the high spots. The thing to do is to say to yourself, "What are my big scenes?" and then get every drop of juice out of them."
(Interview, The Paris Review, Issue 64, Winter 1975)
Tag: writing creative-process novels focus
The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the second act, he would walk out. Now, then, can I twist the story so as to give him plenty to do all the way through? I believe the only way a writer can keep himself up to the mark is by examining each story quite coldly before he starts writing it and asking himself it is all right as a story. I mean, once you go saying to yourself, "This is a pretty weak plot as it stands, but if I'm such a hell of a writer that my magic touch will make it okay," you're sunk. If they aren't in interesting situations, characters can't be major characters, not even if you have the rest of the troop talk their heads off about them."
(Interview, The Paris Review, Issue 64, Winter 1975)
Tag: writing characters storytelling creative-process plot
Well, ha-jolly-ha to YOU, young Stiffie-- with knobs on!
P.G. WodehouseI suppose the fundamental distinction between Shakespeare and myself is one of treatment. We get our effects differently. Take the familiar farcical situation of someone who suddenly discovers that something unpleasant is standing behind them. Here is how Shakespeare handles it in "The Winter's Tale," Act 3, Scene 3:
ANTIGONUS: Farewell! A lullaby too rough. I never saw the heavens so dim by day. A savage clamour! Well may I get aboard! This is the chase: I am gone for ever.
And then comes literature's most famous stage direction, "Exit pursued by a bear." All well and good, but here's the way I would handle it:
BERTIE: Touch of indigestion, Jeeves?
JEEVES: No, Sir.
BERTIE: Then why is your tummy rumbling?
JEEVES: Pardon me, Sir, the noise to which you allude does not emanate from my interior but from that of that animal that has just joined us.
BERTIE: Animal? What animal?
JEEVES: A bear, Sir. If you will turn your head, you will observe that a bear is standing in your immediate rear inspecting you in a somewhat menacing manner.
BERTIE (as narrator): I pivoted the loaf. The honest fellow was perfectly correct. It was a bear. And not a small bear, either. One of the large economy size. Its eye was bleak and it gnashed a tooth or two, and I could see at a g. that it was going to be difficult for me to find a formula. "Advise me, Jeeves," I yipped. "What do I do for the best?"
JEEVES: I fancy it might be judicious if you were to make an exit, Sir.
BERTIE (narrator): No sooner s. than d. I streaked for the horizon, closely followed across country by the dumb chum. And that, boys and girls, is how your grandfather clipped six seconds off Roger Bannister's mile.
Who can say which method is superior?"
(As reproduced in P.G. Wodehouse
Tag: humor shakespeare bears jeeves wooster stage-directions winters-tale
He was stoutly opposed to the idea of marrying anyone; but if, as happens to the best of us, he ever were compelled to perform the wedding glide, he had always hoped it would be with some lady golf champion who would help him with his putting, and thus, by bringing his handicap down a notch or two, enable him to save something from the wreck, so to speak.
P.G. WodehouseI'm not absolutely certain of my facts, but I rather fancy it's Shakespeare -- or, if not, it's some equally brainy lad -- who says that it's always just when a chappie is feeling particularly top-hole, and more than usually braced with things in general that Fate sneaks up behind him with a bit of lead piping.
P.G. WodehouseTag: humor insightful the-unexpected
...there occurred to me the simple epitaph which, when I am no more, I intend to have inscribed on my tombstone. It was this:
"He was a man who acted from the best motives. There is one born every minute.
Tag: insightful humorous-quotations
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