Each work of criticism is supposed to build on the body of work, to increase the total sum of human understanding. It's not like filling your house with more and more beautiful wicker baskets. It's supposed to be cumulative - it believes in progress.
Elif BatumanTag: literary-criticism
Reading a novel after reading semiotic theory was like jogging empty-handed after jogging with hand weights. What exquisite guilt she felt, wickedly enjoying narrative! Madeleine felt safe with a nineteenth century novel. There were going to be people in it. Something was going to happen to them in a place resembling the world. Then too there were lots of weddings in Wharton and Austen. There were all kinds of irresistible gloomy men.
Jeffrey EugenidesTag: reading books literary-criticism novels plot postmodernism narrative literary-theory semiotics victorians nineteenth-century
I ran across an excerpt today (in English translation) of some dialogue/narration from the modern popular writer, Paulo Coelho in his book: Aleph.(Note: bracketed text is mine.)... 'I spoke to three scholars,' [the character says 'at last.'] ...two of them said that, after death, the [sic (misprint, fault of the publisher)] just go to Paradise. The third one, though, told me to consult some verses from the Koran. [end quote]' ...I can see that he's excited. [narrator]' ...Now I have many positive things to say about Coelho: He is respectable, inspiring as a man, a truth-seeker, and an appealing writer; but one should hesitate to call him a 'literary' writer based on this quote. A 'literary' author knows that a character's excitement should be 'shown' in his or her dialogue and not in the narrator's commentary on it. Advice for Coelho: Remove the 'I can see that he's excited' sentence and show his excitement in the phrasing of his quote.(Now, in defense of Coelho, I am firmly of the opinion, having myself written plenty of prose that is flawed, that a novelist should be forgiven for slipping here and there.)Lastly, it appears that a belief in reincarnation is of great interest to Mr. Coelho ... Just think! He is a man who has achieved, (as Leonard Cohen would call it), 'a remote human possibility.' He has won lots of fame and tons of money. And yet, how his preoccupation with reincarnation—none other than an interest in being born again as somebody else—suggests that he is not happy!
Roman PayneTag: life truth happiness education writing inspiration literary-criticism writing-craft paulo-coelho leonard-cohen fame happy excitement paradise novels writing-advice educational islam koran craft birth fortune critique inspirational-life publishing imperfection life-and-death grammar reincarnation inspiring characterization faults authorship roman novelist born-again literary-theory dialogue cohen sentence-structure writing-art craftsmanship writing-from-the-heart writing-and-art critique-of-modernity inspirational-attitude human-potential islamic payne roman-payne narration coelho humaneness famous-authors islamic-quotes inspiring-quotes fame-and-fortune art-of-literature writing-as-a-profession aleph literature-quotes happiness-positive-outlook advice-for-writers phrasing grammatical
It seems to me that my whole life I've been standing on some tower or a pillbox or a trampoline, waving the names of writers, as if we needed rescue. And the first person I had to rescue was myself.
John LeonardTag: literary-criticism insight
Mr. Morris's poem is ushered into the world with a very florid birthday speech from the pen of the author of the too famous Poems and Ballads,—a circumstance, we apprehend, in no small degree prejudicial to its success. But we hasten to assure all persons whom the knowledge of Mr. Swinburne's enthusiasm may have led to mistrust the character of the work, that it has to our perception nothing in common with this gentleman's own productions, and that his article proves very little more than that his sympathies are wiser than his performance. If Mr. Morris's poem may be said to remind us of the manner of any other writer, it is simply of that of Chaucer; and to resemble Chaucer is a great safeguard against resembling Swinburne.
Henry JamesTag: poetry literary-criticism william-morris algernon-charles-swinburne geoffrey-chaucer
If you cannot judge a book by its cover, surely we should not judge an author by one book alone?
E.A. BucchianeriTag: reading books writers literary-criticism literature book criticism authors novels critics author judging covers i-love-books i-love-reading i-love-to-read book-cover book-covers fair-chance fair-judgement
When the critic has said everything in his power about a literary text, he has still said nothing; for the very existence of literature implies that it cannot be replaced by non-literature
Tzvetan TodorovTag: literary-criticism literature literary-theory
[T]he new weird represents a productive experiment in fantasy fiction. The New Wave of the 1960s and 1970s arguably embodied science fiction's claim to literary 'seriousness.' This desire for seriousness is not snobbery, as sometimes suggested by folks who overemphasize the entertainment function of speculative fiction; it's about recognition of the vast possibilities within the field.
Darja Malcolm-ClarkeTag: literary-criticism fantasy science-fiction new-weird new-wave
I can no longer think what I want to think. My thoughts have been replaced by moving images.
Georges DuhamelTag: literary-criticism film thoughts cinema film-criticism
...reduction is precisely what a work of art opposes. Easy answers...annotations, arrows...an oudine of its design...very seriously mislead.
William H. GassTag: literary-criticism american-writers twentieth-century the-recognitions
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