Einerseits geben Wörter Sinn, andererseits sind sie tauglich, Unsinn zu stiften. Wörter können heilsam oder verletzend sein. Das Wort als Waffe. Sich spreizende, auftrumpfende, mit Bedeutung gemästete Wörter. Manche sind Zungenbrecher, andere lassen erkennen, verschleiern, leugnen ab, decken zu oder auf. Oft liegen winzige Wahrheiten unter Wortlawinen begraben. Aus Wortstreit entspringen Schimpfwörter. Flüche, Beschwörungen, Zaubersprüche bannen, rufen herbei, lassen wahre Wunder geschehen.

Günter Grass

Mots clés words wörter



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You American intellectuals—you want so desperately to feel besieged and persecuted!

Günter Grass


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Eles não podem agir de outra maneira, os senhores da criação. O privilégio da criação lhes é irrenunciável. Nós, mulheres, temos que ser criaturas, sim, e criaturas perfeitas. Sejamos agradecidas aos cavaleiros suecos, principalmente ao fatídico Axel, por terem desequilibrado tão artisticamente as faculdades da menina Agnes. As mulheres levemente desequilibradas se qualificam como musas excelentes.

Günter Grass

Mots clés literature



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But every time I shunned books, as scholars sometimes do, cursed them as verbal graveyards, and tried to make contact with the common folk, I ran up against the kids in our building and felt fortunate, after a few brushes with those little cannibals, to return to my reading in one piece.

Günter Grass

Mots clés the-tin-drum



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So rode the squadrons out against the grey steel foe, adding another dash of red to the sunset glow.

Günter Grass


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You are vain and wicked- as a genius should be.

Günter Grass

Mots clés genius vanity wickedness



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Suppose you're teaching math. You assume that parallel lines meet at infinity. You'll admit that adds up to something like transcendence.

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I wept when the muse Ulla bent over me. Blinded by tears I could not prevent her from kissing me, I could not prevent the Muse from giving me that terrible kiss. All of you who have ever been kissed by the Muse will surely understand that Oskar, once branded by that kiss, was condemned to take back the drum he had rejected years before, the drum he had buried in the sand of Sapse Cemetery.

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They had tried doing it by themselves in her room with a cheap onion, but it wasn't the same. You needed an audience. It was so much easier to cry in company. It gave you a real sense of brotherhood in sorrow when to the right and left of you and in the gallery overhead your fellow students were all crying their hearts out.

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Behind all sorrows in the world Klepp saw a ravenous hunger; all human suffering, he believed, could be cured with a portion of blood sausage. What quantities of fresh blood sausage with rings of onion, washed down with beer, Oskar consumed in order to make his friend think his sorrow's name was hunger and not Sister Dorothy.

Günter Grass


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